Using ceremonials such as imperial weddings and funerals as models, T. Fujitani illustrates what visual symbols and rituals reveal about monarchy, nationalism, city planning, discipline, gender, memory, and modernity. Focusing on the Meiji Period (1868-1912), Fujitani brings recent methods of cultural history to a study of modern Japanese nationalism for the first time.
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用理论非常重要,但用的这么肤浅,还不如不用。
评分十分理论化,读的半懂不懂。用日本的例子挑战了一下福柯的现代权力模式。从仪式,视觉,还有城市规划的角度分析以天皇为中心的政治和权力系统是如何的构建的。最有印象的是,通过设立国家节日,建造公共聚集场所,举行大型盛典。在这种盛典中,民众是天皇的视觉焦点,天皇是民众视觉的焦点,在以天皇为主角的盛典中,民众在天皇的目光下意识到自己作为国民的身份和一个统一民族。
评分Taking Foucault's conception of "surveillance society", Fujitani explores the modern reinvention of the Emperor as a visually dominating overseer over the people, which facilitates the creation of a modern disciplined citizenry. Dual capital system, gendered politics, national time and the challenging localizations...
评分今年重读了imperial pageantry一章,把建立民族国家的时空想象前提剖析得很清楚。案例多且有趣,地方百姓如何(物理或非物理)参与宪法颁布典礼和皇家婚礼,地方民俗仪式的政治化,以及政治仪式的民俗化。似乎非常适合用于分析毛时期的一些现象。
评分Taking Foucault's conception of "surveillance society", Fujitani explores the modern reinvention of the Emperor as a visually dominating overseer over the people, which facilitates the creation of a modern disciplined citizenry. Dual capital system, gendered politics, national time and the challenging localizations...
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