Michael Cunningham (born November 6, 1952) is an American novelist and screenwriter. He is best known for his 1998 novel The Hours, which won the Pulitzer Prize for Fiction and the PEN/Faulkner Award in 1999. Cunningham is a senior lecturer of creative writing at Yale University.
A daring, deeply affecting third novel by the author of A Home at the End of the World and Flesh and Blood. In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Samuel, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family. Passionate, profound, and deeply moving, this is Cunningham's most remarkable achievement to date.
你有没有过这样的感觉,在做某件事,比如削苹果时,在把刀架在苹果上的那一刻,你想到,这一刀下去便无可挽回,现在收住还来得及。弗吉尼亚伍尔夫在赴死的路上有那么一瞬间想要就此打住,回头,回到安逸的家,回到伦纳德身边,继续过像躺在幸福的草床上的垂死的画眉鸟般的...
评分"to look life in the face, always to look life in the face, and to know it for what it is. At last, to know it, to love it for what it is, and then to put it away. always the years between us, always the years, always the love, always the hours...
评分你有没有过这样的感觉,在做某件事,比如削苹果时,在把刀架在苹果上的那一刻,你想到,这一刀下去便无可挽回,现在收住还来得及。弗吉尼亚伍尔夫在赴死的路上有那么一瞬间想要就此打住,回头,回到安逸的家,回到伦纳德身边,继续过像躺在幸福的草床上的垂死的画眉鸟般的...
评分河里的水越流越急,街道上车水马龙。 拥挤的城市,只充满了积极工作的男人。而女人的去向变得模糊不清。Virginia Woolf并不能单单被考虑为女性主义作家。她的思想分散成最细密的分子,充满在整本书中,覆盖了每一笔墨水。 ---- 在穿过维多利亚街时她心里想,我们是多么愚蠢...
评分最近我很认真地看了一本书——坎宁安的《时时刻刻》,讲了三个女人的故事:弗吉尼亚•伍尔夫,二十世纪二十年代伦敦的天才作家,布朗太太,二战后住在加州的家庭主妇,克拉丽莎,二十世纪九十年代纽约的出版编辑。小说的结构无疑很创新,用“达洛维夫人”这一关联性将三个不...
我非要挑我看的这个版本.爱封面.
评分杀死女人的不是时间,而是生活的琐碎。个人更喜欢电影一点。
评分想法很巧妙啊 但是有点太注意技巧了和实验了 不过还是从小感动到大的一本书
评分原著比电影还depressing个十倍啊fucking hell。
评分在结构问题上,原著是毫不逊色于改编电影的。文笔之精炼恰到好处,既不比海明威那般“没有一个单词需要查阅字典”又不带丝毫赘述以及无关紧要的情节。客观叙事为主,喜欢看作家把玩句子的可以自行跳过这部作品,或选择直接观影。
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