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Ripley is back. This new publication of Patricia Highsmith's classic inaugurates the complete Ripley series at Norton. Since his debut in 1955, Tom Ripley has evolved into the ultimate bad boy sociopath, influencing countless novelists and filmmakers. In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley —immortalized in the 1998 film starring Matt Damon, Jude Law, and Gywneth Paltrow—is an unforgettable introduction to this debonair confidence man, whose talent for self-invention and calculated murder is chronicled in four subsequent novels.
具體描述
讀後感
I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
評分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
評分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
評分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
評分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
用戶評價
I haven't seen the movie yet, but the book is a bore. Nothing's extraordinary except Ripley's complicated gay feelings, which is fun to reflect upon. No meticulous plans, no smart improvisations, only shoddy excuses with massive amount of dumb luck. The crimes are one joke after another, flouting common stupidity right in the face.
评分有黑色犯罪小說的一切特點，但又不止於黑色犯罪類型。可以看作犯罪加強版和遊記版的《罪與罰》。兩部作品主人公的超人理論和承受罪惡時的心理活動異麯同工。相比《罪與罰》的知識分子氣質和信仰主題，瑞普利中的欲望更為赤裸，更加肆無忌憚，侵略性更強，或許也更接近人的本真狀態。
评分作為犯罪小說，既不類型，也不煽情，帶著人情交際玩謀殺懸疑，實屬難得。真。教唆犯罪之書，原來殺人真的是個option. 感情都點到為止，簡單句子挺抓人，靠細節寫齣幸運驕傲狂的自卑敏感內心——壞人都是怎麼變壞的？結尾“輕”得有趣，的確帶著玩票性質，但也是反諷：根本無人彼此認識，不過是簽字、發型、戒指、笑聲罷瞭。一生孤獨的天纔先生啊，一生孤獨的我們。Highsmith能有讓人從故事裏讀齣故事外的本事，估計是個筆頭尖利眼睛雪亮的姑娘。
评分he just keeps on killing people XD.
评分我怎麼覺得還不如柯南
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