The Hours

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迈克尔•坎宁安,美国当代著名作家,生于一九五二年,曾先后在斯坦福大学和爱荷华大学学习文学和写作。在爱荷华大学作家坊学习期间,开始在《大西洋月刊》和《巴黎评论》上发表短篇小说。一九九〇出版《末世之家》,受到广泛赞誉。选自《末世之家》的《白天使》被收录在《一九八九年美国最佳短篇小说》。一九九五年获得怀廷作家奖。

一九九八年的作品《时时刻刻》获得巨大成功,登上《纽约时报》畅销书榜,同时获得普利策奖和笔会福克纳奖,并被改编成同名电影,妮可•基德曼凭借该部影片摘得第七十五届奥斯卡最佳女主角奖。

一九九九年获得欧•亨利短篇小说奖。二〇〇五年,沉潜七年推出的新作《试验年代》同样备受好评。坎宁安目前在耶鲁大学担任创造性写作课程教授,同时继续创作。

出版者:Fourth Estate
作者:Michael Cunningham
出品人:
页数:240
译者:
出版时间:2003-01-02
价格:GBP 7.99
装帧:Paperback
isbn号码:9781841150352
丛书系列:
图书标签:
  • VirginiaWoolf 
  • MichaelCunningham 
  • 小说 
  • 女性主义 生活本质 
  • 英文原著 
  • 文学 
  • 外文 
  • 英文 
  •  
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Winner of the 1999 Pulitzer and Pen/Faulkner prizes, The Hours is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf. A passionate, profound and haunting story of love and inheritance, hope and despair. Exiled in Richmond in the 1920s, taken from her beloved Bloomsbury and lovingly watched over by her husband Leonard, Virginia Woolf struggles to tame her rebellious mind and make a start on her new novel. In the brooding heat of 1940s Los Angeles, a young wife and mother yearns to escape the claustrophobia of suburban domesticity and read her precious copy of Mrs Dalloway. And in New York in the 1990s, Clarissa Vaughan steps out of her smart Greenwich Village apartment and goes shopping for flowers for the party she is giving in honour of her life-long friend Richard, an award-winning poet whose mind and body are being ravaged by AIDS. These are the characters in Michael Cunningham's exquisite and deeply moving novel, which takes Woolf's life and work as inspiration for a meditation on artistic behaviour, failure, love and madness. Moving effortlessy across the decades and between England and America, Cunningham's elegant, haunting prose explores the pain and trauma of creativity and the immutable relationship between writer and reader.

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除了挣扎。 也许真的是脑袋有问题。我会愿意在这一间屋子里生活。出门,这个城市吓到了我,让我厌恶。如果你给生活无限做减法,把物质程度降到最低,最后剩下的就是明明白白一目了然的一堆糟粕——全部,来自你自身,全部,是你的欲望。 可现在这个名利浮躁的世界令我厌恶,尤...  

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在昆德拉看来,艺术的历史与进步无关,它更多的是对未知的一次历险、一次发现,小说家的秘密也正在于此。而结构,这一将小说与其它文学形式区分开来的关键要素,与小说的美感密不可分,不仅包含着作者本身的风格倾向,亦是小说得以独立的身份标识。因此,一场对小说结构有所收...  

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Mrs. Woolf: 与Vanessa的亲吻不是发生在离别前,而是在女仆Nelly怒气冲冲的从伦敦买茶品回来后,那个吻因为发生在Nelly转身后,而变成"the most delicious and forbidden of pleasures". 并且,"Vanessa returned the kiss." 在火车站逃离未遂,被赶来的Leonard追上的那幕,...  

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"to look life in the face, always to look life in the face, and to know it for what it is. At last, to know it, to love it for what it is, and then to put it away.    always the years between us, always the years, always the love, always the hours...  

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1941年的春夏,伍尔夫写好遗书放在桌上,匆忙披上衣服,趁佣人不注意的时候从后门溜出去,一路上她慌慌张,却还不忘看四周熟悉的风景。走到河边,捡一块大石头勉强揣进口袋,接着慢慢向河中央走去。 1949年6月的一个早晨,美国主妇劳拉读着伍尔夫的小说《达洛维夫人》,想不明...  

用户评价

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“And here she is, herself, Clarissa, not Mrs. Dalloway anymore; there is no one to call her that. Here she is with another hour before her.” Three women’s hours actually have the same or similar subjects:a desire for the golden past; a sentimental feeling toward the repetitive dullness in their daily life; a dislocation in the stream of time.

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那么,就让我拥抱平庸吧,被世界的美所引诱,穷尽一生积淀出堆成山的感情,建立起蜘蛛网一样的联系,然后任由它们渐渐淡化、湮灭,最终承认自己的失败。也许是那些近乎完美的时刻,足以成为活下去的理由?

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几年前没看懂的电影,看了原版书后终于明白三条故事线是怎么串在一起的了…

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It feels personal

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1. 通篇向伍尔芙致敬。2. 文学女青年害死人

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