This record of Cartier-Bresson's fascination with India over half a lifetime contains the very best of his photographs of that country, produced during six extended visits, the first at the time of Independence, the most recent in 1987. His images are shaped by an eye and a mind legendary for their empathy and for going to the heart of the matter. Cartier-Bresson's talent, his famous "mantle of invisibility" and his good connections with such figures as Nehru, allowed him to capture the quintessence of India - a land renowned for its contradictions and variety. His pictures of Hindus in refugee camps after the Partition or of beggars in Calcutta, speak with the same passion and authority as those of the Maharaja of Baroda's sumptuous birthday celebrations, or of the Mountbattens posed on the steps of Government House. Considerable space is given to his famous reportages, such as the astonishing sequence on the death and cremation of Gandhi. Above all, his skill selects the apparently ordinary faces and scenes from market, temple or countryside that define the spirit of a country.
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分辨得出４８年與６６年照片的不同。後期的圖像敘事成熟，瞬間更獨特
评分送别甘地的热切的人群后，接一幅晒sari的照片，感觉真妙啊
评分感觉没有苏联那本好，虽然相机和里面的人更近了，感觉却远了
评分送别甘地的热切的人群后，接一幅晒sari的照片，感觉真妙啊
评分分辨得出４８年與６６年照片的不同。後期的圖像敘事成熟，瞬間更獨特
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