Ronald C. Egan is Professor of Sinology in the Department of East Asian Languages and Cultures at Stanford University.
During the Northern Song dynasty (960-1126), new ground was broken in aesthetic thought, particularly in the fields of art collecting, poetry criticism, connoisseurship of flowers, and the song lyric. Collectively these activities constitute much of what was distinctive about Northern Song culture. Yet the subjects treated here were unprecedented when they appeared; consequently, bold exploration was coupled with anxiety about the worth of these interests, especially given the Confucian biases against these pursuits.
Despite differences in each area, certain overarching themes surface repeatedly. Together, these interests and choices suggest a logic behind the new directions of literati culture in the Northern Song. By focusing on the "problem of beauty," the author calls attention to the difficulties that Northern Song innovators faced in justifying these new pursuits.
北宋文人是怎么给俗文化正名,怎么一步步扩大审美版图的。我们会选三个典型的文艺新物种来讲,分别是牡丹、诗话和宋词。 这倒不是白居易故作清高,他是内心真的不能接受老百姓的这种审美趣味。他所接受的教育,不管是儒家、佛家还是道家,都告诉他君子要远离单纯的感官愉悦,人...
评分艾朗诺《美的焦虑:北宋士大夫的审美思想与追求》的主要内容正如译者杜斐然女史所说的:“因为与传统观念有所冲突,北宋士大夫意识到他们对美的鉴赏和追求是‘有问题’的,从而引起心理矛盾,以及试图克服矛盾的曲折表述。”英文原文为“The Problem of Beauty”,中译本将“Pr...
评分北宋文人是怎么给俗文化正名,怎么一步步扩大审美版图的。我们会选三个典型的文艺新物种来讲,分别是牡丹、诗话和宋词。 这倒不是白居易故作清高,他是内心真的不能接受老百姓的这种审美趣味。他所接受的教育,不管是儒家、佛家还是道家,都告诉他君子要远离单纯的感官愉悦,人...
评分艾朗诺《美的焦虑:北宋士大夫的审美思想与追求》的主要内容正如译者杜斐然女史所说的:“因为与传统观念有所冲突,北宋士大夫意识到他们对美的鉴赏和追求是‘有问题’的,从而引起心理矛盾,以及试图克服矛盾的曲折表述。”英文原文为“The Problem of Beauty”,中译本将“Pr...
评分北宋文人是怎么给俗文化正名,怎么一步步扩大审美版图的。我们会选三个典型的文艺新物种来讲,分别是牡丹、诗话和宋词。 这倒不是白居易故作清高,他是内心真的不能接受老百姓的这种审美趣味。他所接受的教育,不管是儒家、佛家还是道家,都告诉他君子要远离单纯的感官愉悦,人...
《集古录》一文写出了一股悲情
评分不知可以在国内哪里找到英文版?
评分chpt5 & 6
评分就读过一章,,不过很好啊,比SU SHI那本好
评分《集古录》一文写出了一股悲情
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