Terence (?184-159 BC) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. His plays have been imitated by authors as diverse as the nun Hrothswitha in the tenth century and P. G. Wodehouse in the twentieth. They deal with the love-life of adolescent boys and with associated tensions in their relations with their fathers. They show love triumphing over obstacles of various kinds, and they also portray the problems that arise from ignorance, misunderstanding, and prejudice. They are true to universal elements of human experience, and audiences today can readily engage with the issues they raise. This new translation with introduction and explanatory notes aims to convey the liveliness of the plays as pieces written for the theatre.
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泰伦斯的剧在中世纪一直是文法学校的教材.注释要读Donatus, Eugraphius 和Evanthius的对悲喜剧历史源流的学术考证.最重要的注释是Scholia Bembina,唯一的Late Antiquity注释,虽然形式是旁注. 因为有伽洛林对文本和注释的重新整理,分清中世纪和古代注释只能基于推测.
评分泰伦斯的剧在中世纪一直是文法学校的教材.注释要读Donatus, Eugraphius 和Evanthius的对悲喜剧历史源流的学术考证.最重要的注释是Scholia Bembina,唯一的Late Antiquity注释,虽然形式是旁注. 因为有伽洛林对文本和注释的重新整理,分清中世纪和古代注释只能基于推测.
评分泰伦斯的剧在中世纪一直是文法学校的教材.注释要读Donatus, Eugraphius 和Evanthius的对悲喜剧历史源流的学术考证.最重要的注释是Scholia Bembina,唯一的Late Antiquity注释,虽然形式是旁注. 因为有伽洛林对文本和注释的重新整理,分清中世纪和古代注释只能基于推测.
评分泰伦斯的剧在中世纪一直是文法学校的教材.注释要读Donatus, Eugraphius 和Evanthius的对悲喜剧历史源流的学术考证.最重要的注释是Scholia Bembina,唯一的Late Antiquity注释,虽然形式是旁注. 因为有伽洛林对文本和注释的重新整理,分清中世纪和古代注释只能基于推测.
评分泰伦斯的剧在中世纪一直是文法学校的教材.注释要读Donatus, Eugraphius 和Evanthius的对悲喜剧历史源流的学术考证.最重要的注释是Scholia Bembina,唯一的Late Antiquity注释,虽然形式是旁注. 因为有伽洛林对文本和注释的重新整理,分清中世纪和古代注释只能基于推测.
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