Terence (?184-159 BC) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. His plays have been imitated by authors as diverse as the nun Hrothswitha in the tenth century and P. G. Wodehouse in the twentieth. They deal with the love-life of adolescent boys and with associated tensions in their relations with their fathers. They show love triumphing over obstacles of various kinds, and they also portray the problems that arise from ignorance, misunderstanding, and prejudice. They are true to universal elements of human experience, and audiences today can readily engage with the issues they raise. This new translation with introduction and explanatory notes aims to convey the liveliness of the plays as pieces written for the theatre.
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泰倫斯的劇在中世紀一直是文法學校的教材.注釋要讀Donatus, Eugraphius 和Evanthius的對悲喜劇曆史源流的學術考證.最重要的注釋是Scholia Bembina,唯一的Late Antiquity注釋,雖然形式是旁注. 因為有伽洛林對文本和注釋的重新整理,分清中世紀和古代注釋隻能基於推測.
评分泰倫斯的劇在中世紀一直是文法學校的教材.注釋要讀Donatus, Eugraphius 和Evanthius的對悲喜劇曆史源流的學術考證.最重要的注釋是Scholia Bembina,唯一的Late Antiquity注釋,雖然形式是旁注. 因為有伽洛林對文本和注釋的重新整理,分清中世紀和古代注釋隻能基於推測.
评分泰倫斯的劇在中世紀一直是文法學校的教材.注釋要讀Donatus, Eugraphius 和Evanthius的對悲喜劇曆史源流的學術考證.最重要的注釋是Scholia Bembina,唯一的Late Antiquity注釋,雖然形式是旁注. 因為有伽洛林對文本和注釋的重新整理,分清中世紀和古代注釋隻能基於推測.
评分泰倫斯的劇在中世紀一直是文法學校的教材.注釋要讀Donatus, Eugraphius 和Evanthius的對悲喜劇曆史源流的學術考證.最重要的注釋是Scholia Bembina,唯一的Late Antiquity注釋,雖然形式是旁注. 因為有伽洛林對文本和注釋的重新整理,分清中世紀和古代注釋隻能基於推測.
评分泰倫斯的劇在中世紀一直是文法學校的教材.注釋要讀Donatus, Eugraphius 和Evanthius的對悲喜劇曆史源流的學術考證.最重要的注釋是Scholia Bembina,唯一的Late Antiquity注釋,雖然形式是旁注. 因為有伽洛林對文本和注釋的重新整理,分清中世紀和古代注釋隻能基於推測.
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