From Library Journal
While this work of literary theory, which first appeared in Japanese in 1980, concentrates on the literature and thought of the 1980s, it challenges readers to reinterpret the literature of the entire Meiji Period (1868-1926) in six discrete essays plus a forward by Frederick Jameson and materials added for the English and paperback editions. Karatani (literature, Hosei Univ.) is at his most provocative when discussing the "discovery" of landscape in painting and literature as well as of the child as a human being. In his examinations of such important Meiji writers as Soseki, Kunidida Doppo, Tayama Katai, and Tsubouchi Shoyo, he offers insightful cultural criticism of subjects such as ethnography, religion, language, and modernity in the West and East. This far-reaching and bold reconsideration of Japanese literary history can be appreciated by scholars of modern thought and literature, above all those versed in Japanese studies.
- D.E. Perushek, Univ. of Tennessee, Knoxville
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
“Karatani Kojin’s Origins of Modern Japanese Literature (Nihon Kindai bungaku no kigen) has had a profound effect on the way we formulate the questions we ask about modern literature and culture, and that effect will no doubt be redoubled now that the work is available in a lucid (and carefully annotated) English translation. . . . Karatani’s argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself. . .”
--Stephen Snyder, The Journal of Asian Studies
具体描述
读后感
《起源》的中译本越来越多，之前大陆译本都是根据柄谷88年的初版为底本译出，而定本却迟迟没有引进。定本相较于初版，柄谷的改稿幅度是非常大的，因而看到这本作为第一本《起源》定本的中文译本几乎没有犹豫就买回来了。 说实话有点失望，文中许多句子从语法构成上就读不通，比...
评分 评分原先是导师复印的第一章，《风景的发现》，啃的是原版，很累，通读了四五遍。果真应验了智商是硬伤的话。大神的2个观点只能勉强讲出一个容易的来，将绘画中的透视法山水画导入文学批评中来阐明颠倒的问题实在是没有搞懂，便吱吱呼呼地扭捏半天没说出来。不过，通读全书后，感觉...
评分岩波定本前三章改动不小。本来前三章就是这本书吃重的地方，改后感觉更为清晰。 这次重读有几个体会，均关乎这部随笔之作为何在中国现代文学研究界产生巨大影响。我觉得大概是柄谷完成了非欧美学者的普遍期待。面对这批需要西方坐标才能定位的本国文学作品，如何摆脱补余的位置...
评分“风景一旦确立之后，其起源就被忘却了。这个风景从一开始便仿佛像是存在于外部的客观之物似的。其实，毋宁说这个客观之物实在风景之中确立起来的。” 经由“透视法”而从山水变为风景，正如文学中“写实”的诞生，“自然主义”也并非是自然的。 柄谷行人在这本书里要做的，...
用户评价
妈呀，比起读中文版清晰太多了！
评分妈呀，比起读中文版清晰太多了！
评分题材挺有意思，landscape真是popular topic，大概是我读惯了学术界系统写作方式，这书写得一散我就觉得理据不足的。
评分妈呀，比起读中文版清晰太多了！
评分总有那么一类人，思想惊为天人而写法拉拉杂杂，让人讨厌（ 但还是希望我们都能读到柄谷行人君！இ௰இ
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