白睿文(Michael Berry),1974年齣生於美國芝加哥,哥倫比亞大學現代中國文學與電影博士,現職加州大學聖巴巴拉分校東亞係副教授。主要研究領域為當代華語文學、電影、流行文化和翻譯學。
著作包括Speaking in Images:Interviews with Contemporary Chinese Filmmakers(2005),《痛史:現代中國文學與電影的曆史創傷》(A HistoryofPain:Trauma in Modem Chinese Fiction and Film,2008)與《賈樟柯的故鄉三部麯》XJiaZhangke’SHometown Trilogy.2009)。
中英譯作包括王安憶《長恨歌》(The Song of Everlasting Sorrow,2007)、餘華《活著》(To Live,2004)、葉兆言《一九三七年的愛情》(Nanjing 1937:A Love Story,2003)、張大春《我妹妹》與《野孩子》(Wild Kids:Two Novels About Growing Up,2000)。
"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."--Ang Lee, from Speaking in Images Speaking in Images offers an engaging and rare collection of interviews with the directors who have changed the face of Chinese and international cinema. Michael Berry's discussions with such directors as Ang Lee ( Crouching Tiger, Hidden Dragon), Zhang Yimou ( Hero), Chen Kaige ( Farewell My Concubine), Stanley Kwan ( Lan Yu), Tsai Ming-Liang ( Vive l'Amour), Edward Yang ( Yi Yi), and Hou Hsiao-hsien ( Flowers of Shanghai) offer an eclectic and comprehensive portrait of contemporary Chinese cinema. In interviews that capture each filmmaker's unique vision, the subjects discuss their formative years, the ideas and influences that shaped their work, film aesthetics, battles with censors and studios, the mingling of commercial and art film, and the future of Chinese cinema in a transnational context. Berry's introduction to the collection provides an overview of Chinese cinema in the second half of the twentieth century, placing the directors and their work in a wider historical and cultural context.
到了1982年,一批新生自复学未久的北京电影学院毕业,时间与上届已相隔十五年之久。这个集体的成员不久后被称为“第五代”,其中包括张艺谋、陈凯歌、田壮壮、吴子牛、彭小莲及李少红。 1989年,另一批具有新的影像语言、坚持新的梦想的学生自北京电影学院毕业。这个集体被称...
評分光影言语 当代华语片导演访谈录 【美】白睿文 这本书原先在万象看到的时候其实想买的,但当时踌躇了一下,回头再去就没有了。 后来在南图发现了,于是借来读,果然,效率一定是比我买回去读来得高的。还是一本很有意思的访谈,于是读完来做点记录。 谢晋。 ...
評分看看书中陈导的高谈阔论,再对照对照拍完《梅兰芳》的现在,颇令人玩味。 以下为《光影言语:当代华语片导演访谈录》(广西师范大学出版社,2008)之《历史革命与反叛电影》的摘引—— 陈凯歌:我拍电影跟别的电影导演有一个区别,阿城有句话说得很好,他说其实一个人真实的...
評分《光影言語》,是哥倫比亞中國現代文學和電影的博士生白睿文(Michael Barry)的著作。他以兩岸三地的導演為核心,分別訪談並記錄。其中有大名鼎鼎的陳凱歌、張藝謀、田壯壯、許鞍華,關錦鵬、侯孝賢、楊德昌、以及李安等。此書的序是由紐約大導馬丁史柯西(Martin Scors...
評分他山的石头记 历史人物的口述实录近年在国内渐成热点,不过在中国电影的研究圈子里,似乎仍未成气候。较之内地,香港影评人在这方面的工作似乎做得比较好。就我所知,他们访谈过一批中国影史上的知名人物,如黎莉莉、谈瑛、孙瑜等,而对《小城之春》的主演韦伟及费穆...
Ang Lee once remarked that ‘if you take a close look at Peter Pau’s work, you would find his work quite impressive for showing the representative Hollywood style’.
评分not many hard questions
评分A good resource for research in modern Chinese films, including the fifth generation, the Hong Kong New Wave and the Taiwan New Wave.
评分很好的REFERENCE
评分A good resource for research in modern Chinese films, including the fifth generation, the Hong Kong New Wave and the Taiwan New Wave.
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