Taken against the Arcadian backdrop of her woodland home in Virginia, Sally Mann's extraordinary, intimate photographs of her children--Emmett, Jessie, and Virginia--reveal truths that embody the individuality of her immediate family and ultimately take on a universal quality. Mann states that her work is "about everybody's memories, as well as their fears," a theme echoed by Reynolds Price in his eloquent, poignantly reflective essay accompanying the photographs in "Immediate Family." With sublime dignity, acute wit, and feral grace, Mann's pictures explore the eternal struggle between the child's simultaneous dependence and quest for autonomy--the holding on, and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in Sally Mann's astonishing photographs. A traveling exhibition of "Immediate Family," organized by Aperture, opened at the Institute of Contemporary Art in Philadelphia in the fall of 1992.
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印象之中，萝莉和正太都是美好的化身，但在sally mann这本Immediate Family某些摄影中，我读到了孩子对镜头的戒备，说是对镜头，还不如说对大人的防御。他们活在自己的世界里，没有人能走进他们的内心。唉，我们是否应该停下手中的工作，开始细细聆听孩子们的心音呢？
评分印象之中，萝莉和正太都是美好的化身，但在sally mann这本Immediate Family某些摄影中，我读到了孩子对镜头的戒备，说是对镜头，还不如说对大人的防御。他们活在自己的世界里，没有人能走进他们的内心。唉，我们是否应该停下手中的工作，开始细细聆听孩子们的心音呢？
评分羅莉，正太，被治愈
评分介紹große Bilder相機的時候正好有同學作關於她的Referat，其實還挺期待有機會能試試看
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