Taken against the Arcadian backdrop of her woodland home in Virginia, Sally Mann's extraordinary, intimate photographs of her children--Emmett, Jessie, and Virginia--reveal truths that embody the individuality of her immediate family and ultimately take on a universal quality. Mann states that her work is "about everybody's memories, as well as their fears," a theme echoed by Reynolds Price in his eloquent, poignantly reflective essay accompanying the photographs in "Immediate Family." With sublime dignity, acute wit, and feral grace, Mann's pictures explore the eternal struggle between the child's simultaneous dependence and quest for autonomy--the holding on, and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in Sally Mann's astonishing photographs. A traveling exhibition of "Immediate Family," organized by Aperture, opened at the Institute of Contemporary Art in Philadelphia in the fall of 1992.
具體描述
讀後感
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用戶評價
羅莉，正太，被治愈
评分贊
评分介紹große Bilder相機的時候正好有同學作關於她的Referat，其實還挺期待有機會能試試看
评分..優雅的梵高先生的推薦 為之感嘆 “站在人性的高度去詮釋著自己對生命的看法和態度。所拍攝的三部麯，前一部是生，後一部是死，中間是對生命和自然的釋放，猶如一段史詩”。..
评分去年知道她，今天在衡山和集看完。
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