Last Words from Montmartre pdf epub mobi txt 電子書 下載2025
Qiu Miaojin (1969–1995) was a Taiwanese novelist. Her unapologetically lesbian sensibility has had a profound and lasting influence on queer literature in Taiwan. She worked in Taiwan before moving in 1994 to Paris, where she pursued graduate studies in clinical psychology and feminism at the University of Paris VIII. A year later she committed suicide.
Ari Larissa Heinrich is Associate Professor of Literature at University of California, San Diego, and an Australian Research Council Future Fellow at the University of Sydney in Chinese studies.
- 英譯華語小說
- 港澳颱及海外華文文學
- 颱灣
- @譯本
- 酸素
- 現當代文學
- 小說
- 颱灣文學
Last Words from Montmartre is a novel in letters that narrates the gradual dissolution of a relationship between two lovers and, ultimately, the complete unraveling of the narrator. In a voice that veers between extremes, from self-deprecation to hubris, compulsive repetition to sublime reflection, reticence to vulnerability, it can be read as both the author’s masterpiece and a labor of love, as well as her own suicide note. Last Words from Montmartre, written just as Internet culture was about to explode, is also a kind of farewell to letters. The opening note urges us to read the letters in any order. Each letter unfolds as a chapter, the narrator writing from Paris to her lover in Taipei and to family and friends in Taiwan and Tokyo. The book opens with the death of a beloved pet rabbit and closes with a portentous expression of the narrator’s resolve to kill herself. In between we follow Qiu’s protagonist into the streets of Montmartre; into descriptions of affairs with both men and women, French and Taiwanese; into rhapsodic musings on the works of Theodoros Angelopoulos and Andrei Tarkovsky; and into wrenching and clear-eyed outlines of what it means to exist not only between cultures but, to a certain extent, between and among genders. More Confessions of a Mask than Well of Loneliness, the novel marks Qiu as one of the finest experimentalist and modernist Chinese-language writers of our generation.
具體描述
讀後感
我的盲点 ——序邱妙津简体版作品集 在文学的阅读上我有我的盲点。 知道是“盲点”，却不愿意改，这是我近于病态的执着或耽溺吧。 年轻的时候，迷恋某些叛逆、颠覆、不遵守世俗羁绊的创作者，耽溺迷恋流浪、忧愁、短促早夭的生命形式。 他们创作着，用文字写诗，用色彩画画，...
評分凌晨睡不着的时候又把它扫着看完了。我甚至觉得自己读的时候升起一丝轻视。肯定不是“为什么要为这样的小事撕心裂肺”，好像也不是“为什么一定要将这么赤裸的情感示人”。或许这样陈述自我看起来需要莫大的勇气，但也许对她来说，对陷在某种深渊中出不来的那种时刻来说，恰恰...
評分我不清楚她的思维到底受了多少法国的影响，但的的确确有浓重的法式滋味。法国人写《第一口啤酒》，思维情节写得太细，是太匆忙和现实的现今中国人怎么也欣赏不了的。 她的文字的确动人，如果你不以太过理性的思维去排斥她的呓语。她对自己内在深挖，很容易呼应出读者心里的一...
評分蒙马特遗书跟鳄鱼笔记感觉上相差之大是我一时间没有反应过来的事。 看鳄鱼笔记的时候倒有三分之一的时间是在傻美了，现在想来可能是因为童话化了的鳄鱼，不然还能因为什么呢，刚看蒙马特的时候却也没有想到，如果丢了鳄鱼，鳄鱼笔记照样是和蒙马特没有什么区别的东西。邱妙津...
評分“小咏，我日日夜夜止不住地悲伤，不是为了世间的错误，不是为了身体的残败病痛，而是为了心灵的脆弱性及它所承受的伤害，我悲伤它承受了那么多的伤害，我疼惜自己能给予别人，给予世界那么多，却没法使自己活的好过一点。世界总是没有错的，错的是心灵的脆弱性，我们不能免除...
用戶評價
It’s more subtle than Call Me By Your Name.
评分It’s more subtle than Call Me By Your Name.
评分翻譯一般。我還是使他快樂瞭 翻譯成 he still likes me。。。。。
评分去年十月讀瞭大半，今天收瞭個尾。所有她曾有過的願景、曾得到過的理解、曾真切看到過的美，都是難得的安慰。讀英文譯本的感覺很奇妙，那個在傍晚的巴黎街頭散步、愛看安哲的學生仿佛離我更近瞭。“I blossomed fully”，這也是命運。
评分It’s more subtle than Call Me By Your Name.
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