The Mongol Century pdf epub mobi txt 电子书 下载 2025
Shane McCausland is Reader in the History of Art of China at the School of Oriental and African Studies, University of London. He has organized numerous exhibitions and published widely on East Asian and contemporary art, including the book Zhao Mengfu: Calligraphy and Painitng for Khubilai's China (2011).
- 艺术史
- 蒙元史
- 元代
- 马啸鸿
- 历史
- 藝術史
- 英文原版
- 英文
The Mongol Century explores the visual world of China's Yuan dynasty (1271-1368), the spectacular but short-lived regime founded by Khubilai Khan, regarded as the pre-eminent khanate of the Mongol empire. This book illuminates the Yuan era - full of conflicts and complex interactions between Mongol power and Chinese heritage - by delving into the visual history of its culture. Shane McCausland considers how Mongol governance and values imposed a new order on China's culture and also how a sedentary, agrarian China posed specific challenges to the Mongols' militarist and nomadic lifestyle. He also explores how an unusual range of expectations and pressures were placed on Yuan culture: the idea that visual culture could create cohesion across a diverse yet hierarchical society, while balancing Mongol desires for novelty and display with Chinese concerns about posterity. Although in recent years exhibitions have begun to open up the inherent paradoxes of Yuan culture, this is the first study in English to adopt a fully comprehensive approach.It incorporates the full range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. A fresh and invigorating analysis, The Mongol Century explores, in fascinating detail, the visual culture of this brief but captivating era of East Asian history.
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有开始跳出Sino-centric视角去看元代的视觉与物质文化。把其放在一个蒙元帝国的多语言、多文化的框架去理解。用到很多墓葬壁画、器物及建筑等材料。
评分去汉化的蒙／元史加物质文化的思路，展览图册式的章节安排与图像解说，部分融括了新近的学术，无新论，且基本史事错误颇多
评分和Jonathan Hay的Sensuous Surfaces，以及Craig Clunas的 Great Ming一樣，有點大而無當。最近越來越厭倦此類著作及其寫作風格
评分有开始跳出Sino-centric视角去看元代的视觉与物质文化。把其放在一个蒙元帝国的多语言、多文化的框架去理解。用到很多墓葬壁画、器物及建筑等材料。
评分去汉化的蒙／元史加物质文化的思路，展览图册式的章节安排与图像解说，部分融括了新近的学术，无新论，且基本史事错误颇多
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