Shane McCausland is Reader in the History of Art of China at the School of Oriental and African Studies, University of London. He has organized numerous exhibitions and published widely on East Asian and contemporary art, including the book Zhao Mengfu: Calligraphy and Painitng for Khubilai's China (2011).
The Mongol Century explores the visual world of China's Yuan dynasty (1271-1368), the spectacular but short-lived regime founded by Khubilai Khan, regarded as the pre-eminent khanate of the Mongol empire. This book illuminates the Yuan era - full of conflicts and complex interactions between Mongol power and Chinese heritage - by delving into the visual history of its culture. Shane McCausland considers how Mongol governance and values imposed a new order on China's culture and also how a sedentary, agrarian China posed specific challenges to the Mongols' militarist and nomadic lifestyle. He also explores how an unusual range of expectations and pressures were placed on Yuan culture: the idea that visual culture could create cohesion across a diverse yet hierarchical society, while balancing Mongol desires for novelty and display with Chinese concerns about posterity. Although in recent years exhibitions have begun to open up the inherent paradoxes of Yuan culture, this is the first study in English to adopt a fully comprehensive approach.It incorporates the full range of visual media of the East Asia region to reconsider the impact Mongol culture had in China, from urban architecture and design to tomb murals and porcelain, and from calligraphy and printed paper money to stone sculpture. A fresh and invigorating analysis, The Mongol Century explores, in fascinating detail, the visual culture of this brief but captivating era of East Asian history.
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去漢化的濛/元史加物質文化的思路,展覽圖冊式的章節安排與圖像解說,部分融括瞭新近的學術,無新論,且基本史事錯誤頗多
评分Shane,一個英國人,居然在颱灣舉辦的濛元藝術工作坊上,援引瞭習大大的講話⋯⋯以此證明其發錶論點值得關注⋯⋯嗯,隻能說思路很特別。
评分Shane,一個英國人,居然在颱灣舉辦的濛元藝術工作坊上,援引瞭習大大的講話⋯⋯以此證明其發錶論點值得關注⋯⋯嗯,隻能說思路很特別。
评分有開始跳齣Sino-centric視角去看元代的視覺與物質文化。把其放在一個濛元帝國的多語言、多文化的框架去理解。用到很多墓葬壁畫、器物及建築等材料。
评分和Jonathan Hay的Sensuous Surfaces,以及Craig Clunas的 Great Ming一樣,有點大而無當。最近越來越厭倦此類著作及其寫作風格
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