Harold Bloom is a Sterling Professor of Humanities at Yale University and a former Charles Eliot Norton Professor at Harvard. His more than forty books include The Anxiety of Influence, Shakespeare: The Invention of the Human, The Western Canon, and The American Religion. He is a MacArthur Prize Fellow, a member of the American Academy of Arts and Letters, and the recipient of many awards and honorary degrees, including the Academy’s Gold Medal for Belles Lettres and Criticism, the Catalonia International Prize, and the Alfonso Reyes International Prize of Mexico. He lives in New Haven, Connecticut, and in New York City.

Praise for Harold Bloom

“The indispensable critic.” —The New York Review of Books

“[Bloom] is, by any reckoning, one of the most stimulating literary presences of the last half-century.” —Sam Tanenhaus, The New York Times Book Review

“A colossus among critics.” —Adam Begley, The New York Times Magazine

“Bloom thinks in the sweep of millennia, of intellectual patterns that unfold over centuries, of a vast and intricate labyrinth of interconnections between artists from Plato to Pater.” —Michael Lindgren, The Washington Post

“Probably the most celebrated literary critic in the United States.” —Frank Kermode, The Guardian

Hailed as “the indispensable critic” by The New York Review of Books, Harold Bloom— New York Times bestselling writer and Sterling Professor of Humanities at Yale University—has for decades been sharing with readers and students his genius and passion for understanding literature and explaining why it matters. Now he turns at long last to his beloved writers of our national literature in an expansive and mesmerizing book that is one of his most incisive and profoundly personal to date. A product of five years of writing and a lifetime of reading and scholarship, The Daemon Knows may be Bloom’s most masterly book yet.

Pairing Walt Whitman with Herman Melville, Ralph Waldo Emerson with Emily Dickinson, Nathaniel Hawthorne with Henry James, Mark Twain with Robert Frost, Wallace Stevens with T. S. Eliot, and William Faulkner with Hart Crane, Bloom places these writers’ works in conversation with each other, exploring their relationship to the “daemon”—the spark of genius or Orphic muse—in their creation and helping us understand their writing with new immediacy and relevance. It is the intensity of their preoccupation with the sublime, Bloom proposes, that distinguishes these American writers from their European predecessors.

As he reflects on a lifetime lived among the works explored in this book, Bloom has himself, in this magnificent achievement, created a work touched by the daemon.

Praise for Harold Bloom

“[Bloom] is, by any reckoning, one of the most stimulating literary presences of the last half-century.” —Sam Tanenhaus, The New York Times Book Review

“A colossus among critics.” —Adam Begley, The New York Times Magazine

“Bloom thinks in the sweep of millennia, of intellectual patterns that unfold over centuries, of a vast and intricate labyrinth of interconnections between artists from Plato to Pater.” —Michael Lindgren, The Washington Post

“Probably the most celebrated literary critic in the United States.” —Frank Kermode, The Guardian