In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era.Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant--had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
王敦 什么是听觉文化史?简单地讲,就是从听觉角度来思考人们曾经生活在怎样的声音环境里,以怎样的方式和心态去听,又体现了怎样的社会关系。普林斯顿大学历史系教授Emily Thompson 在2004年出版的《现代性的声音风景:美国1900-1933年的建筑声学及听觉文化》(The Soundscap...
評分王敦 什么是听觉文化史?简单地讲,就是从听觉角度来思考人们曾经生活在怎样的声音环境里,以怎样的方式和心态去听,又体现了怎样的社会关系。普林斯顿大学历史系教授Emily Thompson 在2004年出版的《现代性的声音风景:美国1900-1933年的建筑声学及听觉文化》(The Soundscap...
評分王敦 什么是听觉文化史?简单地讲,就是从听觉角度来思考人们曾经生活在怎样的声音环境里,以怎样的方式和心态去听,又体现了怎样的社会关系。普林斯顿大学历史系教授Emily Thompson 在2004年出版的《现代性的声音风景:美国1900-1933年的建筑声学及听觉文化》(The Soundscap...
評分王敦 什么是听觉文化史?简单地讲,就是从听觉角度来思考人们曾经生活在怎样的声音环境里,以怎样的方式和心态去听,又体现了怎样的社会关系。普林斯顿大学历史系教授Emily Thompson 在2004年出版的《现代性的声音风景:美国1900-1933年的建筑声学及听觉文化》(The Soundscap...
評分王敦 什么是听觉文化史?简单地讲,就是从听觉角度来思考人们曾经生活在怎样的声音环境里,以怎样的方式和心态去听,又体现了怎样的社会关系。普林斯顿大学历史系教授Emily Thompson 在2004年出版的《现代性的声音风景:美国1900-1933年的建筑声学及听觉文化》(The Soundscap...
definitive "cultural history" of technology...
评分Listen to modernity within technologically, culturally and commercially mediated soundscape. Almost classical.
评分definitive "cultural history" of technology...
评分definitive "cultural history" of technology...
评分噪音控製史與電聲工程學進化史,機械化聲音環境下如何復活聲音本身?
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