Sweet Nothings 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Sweet Nothings

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Marlene Dumas 作者
D.A.P./Walther Konig, Koln
译者
2015-3-24 出版日期
256 页数
0 价格
Paperback
丛书系列
9781938922831 图书编码

Sweet Nothings 在线电子书 图书标签: 诗歌  当代艺术  女性艺术家   


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发表于2024-12-25


Sweet Nothings 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

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Sweet Nothings 在线电子书 著者简介

Marlene Dumas (born 3 August 1953) is a South African born artist and painter who lives and works in Amsterdam, the Netherlands. In the past Dumas produced paintings, collages, drawings, prints and installations. She now works mainly with oil on canvas and ink on paper.


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Sweet Nothings 在线电子书 图书描述

From the beginning, language has played an important role in the work of Marlene Dumas. Her earliest collages make use of text, and she often writes poetical monikers or captions directly onto her drawings, such as "The Eyes of the Night Creatures" or "Miss Interpreted." Over the last 30 years, the artist has written texts ranging from aphorisms, statements and short poetic pieces to longer analytical essays. Her writing focuses on her own work, discussing its subject matter, its politics, background and source material, as well as its critical reception and her own cultural position as an artist. "I am always 'not from here,'" she writes in one text (a poem), "even though I try to know / or understand 'what's going on' and / what the rules are and how they / keep on changing and what that means. / When looking at images I'm not lost, / but I'm uneasy." Sweet Nothings, originally published in a long out-of-print (and rare) Dutch edition in 1998 and now revised and expanded, provides a selection of her best and most representative writings from 1982–2014.

Marlene Dumas (born 1953) is a South African artist who works in a range of media including painting, collage and prints. She moved to Amsterdam for her studies in 1976 and continues to live and work there. She often strips her subjects of their original contexts, working with—while often transgressing and deconstructing—traditional Western modes of representation. She represented the Netherlands in 1995 at the 46th Venice Biennale, and has enjoyed numerous solo museum exhibitions and retrospectives devoted to her work around the world since then.

"Chlorosis (Lovesick)", (1994) is reproduced from Sweet Nothing.

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