Sweet Nothings 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Sweet Nothings

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Marlene Dumas 作者
D.A.P./Walther Konig, Koln
譯者
2015-3-24 出版日期
256 頁數
0 價格
Paperback
叢書系列
9781938922831 圖書編碼

Sweet Nothings 在線電子書 圖書標籤: 詩歌  當代藝術  女性藝術傢   


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Sweet Nothings 在線電子書 著者簡介

Marlene Dumas (born 3 August 1953) is a South African born artist and painter who lives and works in Amsterdam, the Netherlands. In the past Dumas produced paintings, collages, drawings, prints and installations. She now works mainly with oil on canvas and ink on paper.


Sweet Nothings 在線電子書 著者簡介


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Sweet Nothings 在線電子書 圖書描述

From the beginning, language has played an important role in the work of Marlene Dumas. Her earliest collages make use of text, and she often writes poetical monikers or captions directly onto her drawings, such as "The Eyes of the Night Creatures" or "Miss Interpreted." Over the last 30 years, the artist has written texts ranging from aphorisms, statements and short poetic pieces to longer analytical essays. Her writing focuses on her own work, discussing its subject matter, its politics, background and source material, as well as its critical reception and her own cultural position as an artist. "I am always 'not from here,'" she writes in one text (a poem), "even though I try to know / or understand 'what's going on' and / what the rules are and how they / keep on changing and what that means. / When looking at images I'm not lost, / but I'm uneasy." Sweet Nothings, originally published in a long out-of-print (and rare) Dutch edition in 1998 and now revised and expanded, provides a selection of her best and most representative writings from 1982–2014.

Marlene Dumas (born 1953) is a South African artist who works in a range of media including painting, collage and prints. She moved to Amsterdam for her studies in 1976 and continues to live and work there. She often strips her subjects of their original contexts, working with—while often transgressing and deconstructing—traditional Western modes of representation. She represented the Netherlands in 1995 at the 46th Venice Biennale, and has enjoyed numerous solo museum exhibitions and retrospectives devoted to her work around the world since then.

"Chlorosis (Lovesick)", (1994) is reproduced from Sweet Nothing.

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