WINNER OF THE NATIONAL BOOK AWARD
A stunning poetry debut: this meditation on the black female figure throughout time introduces us to a brave and penetrating new voice.
Robin Coste Lewis’s electrifying collection is a triptych that begins and ends with lyric poems considering the roles desire and race play in the construction of the self. The central panel is the title poem, “Voyage of the Sable Venus,” a riveting narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis’s autobiographical poems, “Voyage” is a tender and shocking study of the fragmentary mysteries of stereotype, as it juxtaposes our names for things with what we actually see and know. Offering a new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role has art played in this ancient, often heinous story? From the “Young Black Female Carrying / a Perfume Vase” to a “Little Brown Girl / Girl Standing in a Tree / First Day of Voluntary / School Integration,” this poet adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire and how they define us all, including herself, as she explores her own sometimes painful history. Lewis’s book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.
ROBIN COSTE LEWIS is the author of Voyage of the Sable Venus (Knopf, 2015), a National Book Award winner. She is a Provost’s Fellow in Poetry and Visual Studies at the University of Southern California. Lewis is also a Cave Canem fellow and a fellow of the Los Angeles Institute for the Humanities. She received her BA from Hampshire College, her MFA in poetry from NYU, and an MTS in Sanskrit and comparative religious literature from the Divinity School at Harvard University. A previous finalist for the Rita Dove Poetry Award, she has published her work in various journals and anthologies, including The Massachusetts Review, Callaloo, The Harvard Gay & Lesbian Review, Transition: Women in Literary Arts, VIDA, Phantom Limb, and Lambda Literary Review, among others. She has taught at Wheaton College, Hunter College, Hampshire College, and the NYU Low-Residency MFA in Paris. Lewis was born in Compton, California; her family is from New Orleans.
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我通常不太喜欢那种篇幅过于宏大的作品,总担心读起来会虎头蛇尾,但这部作品从始至终都保持着一种令人敬畏的统一性和连贯性。它给我最强烈的印象是“重量感”——无论是情感上的、历史上的,还是物理上的。你能在每一个章节中感受到那种无形重力的压迫:船只在重重海浪中艰难前行时的阻力,船员们背负的沉重秘密和历史包袱,以及探索未知所带来的精神负担。作者对环境的描写,比如对光影和气候的运用,绝非仅仅是背景板,它们是推动情节发展、塑造人物性格的活生生的力量。那种在漫长旅途中逐渐累积起来的疲惫感、宿命感,通过精妙的句式结构和重复出现的意象(比如永恒不变的罗盘指向,或者不断吞噬光线的深海),被巧妙地传递给了读者。读完后,我仿佛也经历了那段漫长旅途的重量,它沉甸甸地落在心头,留下的不是轻松的愉悦,而是一种深刻的、对存在本身的敬畏。
评分我必须承认,阅读这本书的过程是一场对耐心的考验,但回报是丰厚的。它的结构非常独特,不像传统小说那样遵循线性的时间发展,而是像一张巨大的、复杂的航海图,充满了回溯、岔路和看似无关的侧写。这种碎片化的叙事方式起初让我有些迷失,我需要不断地在不同的时间线和人物视角之间切换,才能拼凑出故事的全貌。但这恰恰是作者的高明之处——他模仿了记忆和历史记录的不完整性。书中穿插了大量的航海日志片段、船员间的口头传说,甚至还有一些关于星象学的晦涩记录,这些元素共同构建了一个多维度的真实感。如果你期待的是一个节奏明快、目标明确的寻宝故事,你可能会感到失望。但如果你愿意沉浸在这种迷宫般的世界构建中,去品味那些被时间磨损的细节,你会发现,每一个看似冗余的描述,最终都会在某个不经意的时刻,与其他线索产生共振,形成一种豁然开朗的震撼。这本书需要“被研究”,而不是简单地“被阅读”。
评分这本书的叙事风格简直让人沉醉,它仿佛带着一股古老的魔力,将我拉入了一个充满未知的、广袤的海洋世界。作者对于细节的捕捉能力令人惊叹,无论是风暴来临前海面上那种诡异的平静,还是船舱内弥漫的咸湿气息和木头发霉的味道,都描绘得栩栩如生。我完全能够想象到那些水手们在甲板上与命运搏斗的场景,他们的汗水、恐惧和坚韧交织在一起,构成了一幅幅动人心魄的画面。叙事节奏的掌控也极为高明,时而缓慢而富有哲思地描绘海景和人物的内心挣扎,时而又如同海浪般猛烈地爆发,将我抛入紧张刺激的冲突之中。特别是对那些次要角色的刻画,虽然篇幅不多,却个个鲜活立体,他们的每一次对话、每一个眼神都充满了深意,让人不禁去揣测他们背后隐藏的故事。读完后,我感觉自己仿佛经历了一场漫长而艰辛的航行,心灵深处被某种原始的力量所触动,那种对未知的好奇和对自然的敬畏感久久不能平息。这本书的文学价值无疑是极高的,它不仅仅是一个探险故事,更像是一首献给海洋的史诗。
评分老实说,我是在一个朋友的极力推荐下才开始接触这部作品的,起初我对这种偏向“经典探险文学”的题材并不抱太大热情,总担心会是那种充满陈词滥调的英雄主义叙事。然而,这本书彻底颠覆了我的预期。它最引人入胜之处在于其对“航行”这一行为的深刻解构。作者似乎并不热衷于歌颂征服或发现,反而更关注人在极端环境下的道德困境和身份认同的消解。船上的等级制度、物资匮乏时人性的扭曲,以及面对遥远、非人力的自然伟力时,人类引以为傲的文明是如何一点点瓦解的,这些主题探讨得极其深刻和尖锐。我尤其欣赏作者在语言上的克制与张力——他能用最简洁的笔触勾勒出最宏大的场景,但又在关键的心理转折点,使用大量内省式的、近乎诗意的语言,让读者被迫停下来,反思自己面对困境时的选择。这本书的后劲很足,读完后我花了几天时间才从那种被环境压迫的沉重感中抽离出来,真心推荐给那些厌倦了肤浅冒险故事的深度阅读者。
评分这本书最让我感到震撼的,是它对“异域”描绘的处理手法。它没有采用那种居高临下的殖民者视角去评判或猎奇那些未知的土地和文化,反而采取了一种近乎“人类学考察”的审慎态度。主角(或者说叙述者)似乎一直在努力挣脱自身的文化框架去理解他所目睹的一切,这种努力本身就充满了张力。他看见的不仅仅是奇异的动植物或陌生的风俗,他看见的是人类生存逻辑的巨大多样性。我特别喜欢其中几段关于不同信仰体系之间冲突与共存的描写,它们既残酷又充满了奇异的美感。文字的力量在这里展现得淋漓尽致,它不是在简单地记录,而是在创造一种全新的感知系统,迫使读者重新审视我们习以为常的常识。这种将冒险置于哲学和文化碰撞的背景之下,使得这本书远超一般的海上冒险文学,它成了一部关于人类认知局限性的深刻寓言。
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