In this magisterial study of the relationship between illness and art, the best-selling author of An Unquiet Mind, Kay Redfield Jamison, brings an entirely fresh understanding to the work and life of Robert Lowell (1917-1977), whose intense, complex, and personal verse left a lasting mark on the English language and changed the public discourse about private matters.
In his Pulitzer Prize-winning poetry, Robert Lowell put his manic-depressive illness (now known as bipolar disorder) into the public domain, creating a language for madness that was new and arresting. As Dr. Jamison brings her expertise in mood disorders to bear on Lowell’s story, she illuminates not only the relationships among mania, depression, and creativity but also the details of Lowell’s treatment and how illness and treatment influenced the great work that he produced (and often became its subject). Lowell’s New England roots, early breakdowns, marriages to three eminent writers, friendships with other poets such as Elizabeth Bishop, his many hospitalizations, his vivid presence as both a teacher and a maker of poems—Jamison gives us the poet’s life through a lens that focuses our understanding of his intense discipline, courage, and commitment to his art. Jamison had unprecedented access to Lowell’s medical records, as well as to previously unpublished drafts and fragments of poems, and she is the first biographer to have spoken with his daughter, Harriet Lowell. With this new material and a psychologist’s deep insight, Jamison delivers a bold, sympathetic account of a poet who was—both despite and because of mental illness—a passionate, original observer of the human condition.
Kay Redfield Jamison is the Dalio Family Professor in Mood Disorders and a professor of psychiatry at the Johns Hopkins University School of Medicine, as well as an honorary professor of English at the University of St. Andrews in Scotland. She is the author of the national bestsellers An Unquiet Mind, Night Falls Fast, and Touched with Fire, and is coauthor of the standard medical text on manic-depressive illness, Manic-Depressive Illness: Bipolar Disorders and Recurrent Depression. Dr. Jamison is a recipient of the Lewis Thomas Prize, the Rhoda and Barnard Sarnat International Prize in Mental Health from the National Academy of Medicine, and a John D. and Catherine T. MacArthur Fellowship.
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我对这种叙事风格的复杂性和密度感到既兴奋又有些许不知所措。它不是那种直来直去的、目标明确的小说,更像是一首冗长而又充满意象的现代史诗。作者似乎对语言的边界有着近乎偏执的探索欲,总是在试图用前所未闻的方式来构建场景和表达情感。其中穿插的那些看似不相干的典故和历史侧写,起初让人感到困惑,但当你坚持读下去,会发现它们如同精密仪器中的齿轮,最终汇入一个宏大而复杂的结构之中,为核心主题提供了坚实的支撑。这本作品展现了对人类处境的深刻忧虑,笔触冷峻而精准,不带丝毫的煽情或矫饰。它迫使你直面那些 uncomfortable truths,那些我们日常生活中习惯性忽略或美化的复杂性。读完后,心灵上留下的不是一个清晰的结论,而是一片广阔的、充满回响的思考空间,久久不能散去。
评分从文学技巧的角度来看,这本书是一场对传统叙事范式的优雅而有力的挑战。它拒绝提供廉价的慰藉或简单的道德评判。相反,它提供了一面扭曲的镜子,映照出那些我们不愿正视的自身阴影。书中对于“沉默”的描绘尤其令人难忘——那些未被说出口的话语,那些被压抑的情感,它们占据的篇幅,往往比任何激烈的对话都要沉重。作者擅长运用反讽和间接暗示,让关键的冲突和主题往往隐藏在表面的平淡叙述之下。读完后,你可能会发现自己对周围世界的感知都发生了一些微妙的偏移,仿佛窗外的光线都变得更加具有穿透力。这是一部需要被“激活”的作品,它的真正意义并非存在于油墨之间,而是需要读者将自己最深层的经验和困惑投入其中,才能最终完成它的构建。这是一次耗费心神但绝对值得的智力冒险。
评分如果用一种感官来形容阅读这本书的体验,那大概是嗅觉。它不是通过视觉上的华丽辞藻取胜,而是通过一系列极其精准的、带有强烈暗示性的气味和质感来构建世界。你仿佛能闻到老旧纸张的霉味、潮湿的空气中泥土的芬芳,以及某种特定化学物质的尖锐气息。这些感官细节被运用得如此巧妙,以至于它们不仅仅是背景装饰,而是推动情节发展和揭示人物潜意识状态的关键要素。作者对社会肌理的剖析也达到了近乎病理学的精确度,那些关于权力结构、社会疏离感和个体异化的描绘,尖锐得让人后背发凉。我感觉自己不是在阅读一个故事,而是在进行一次深入的、有些痛苦的田野调查,关于人类灵魂在现代文明重压下的变形过程。这种深入骨髓的真实感,是许多更“悦耳”的作品所无法企及的。
评分这本书最让我震撼的是其对时间和记忆的处理方式。时间在这里并非线性的河流,而更像是一个错综复杂的迷宫,过去、现在和潜在的未来不断地纠缠、重叠甚至互相侵蚀。作者似乎娴熟地掌握了一种“多重曝光”的技巧,将不同时空片段并置在一起,让读者在瞬间体验到历史的厚重感与当下选择的紧迫性。人物的内心独白常常是跳跃性的,充满了不连贯却又奇异地吻合现实的逻辑。这种写作手法极大地考验了读者的专注力,但一旦你适应了这种节奏,便会体会到一种前所未有的阅读自由度——思维不再被单一的线性叙事所束缚。书中某些段落的句法结构极其繁复,长句层层嵌套,仿佛是作者为了捕捉某个转瞬即逝的复杂心境而构建的精密语言陷阱。它要求你放慢速度,逐字逐句地品味,才能避免被其语言的瀑布冲垮。
评分这本书的文字有一种令人难以捉摸的魔力,仿佛作者在精心编织一张由细腻观察和深刻洞察构成的网。阅读的过程像是在探寻一片幽深莫测的森林,每一步都充满了对未知的敬畏与好奇。叙事节奏的掌握极其高明,时而如平静的湖面,微风拂过,只留下细微的涟漪;时而又如同山洪爆发,情感与思想的洪流猝不及防地席卷而来,让人应接不暇。尤其令人称道的是,作者在描绘人物内心挣扎与外部世界碰撞时的那种克制与爆发之间的微妙平衡。你几乎能感受到角色们皮肤下的温度,他们的呼吸,他们的犹豫,每一个细微的动作背后都蕴藏着巨大的精神重量。那些看似信手拈来的日常片段,经过作者的熔铸,都闪烁出哲学的微光,让人不得不停下来,反复咀嚼那些句子,试图从中挖掘出更深层次的含义。这种阅读体验,绝非轻松的消遣,而更像是一场精神上的马拉松,要求读者全神贯注,用全部的心灵去感受那些潜藏在文字之下的暗流涌动。
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