Architecture and the Landscape of Modernity in China 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Architecture and the Landscape of Modernity in China

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Edward Denison 作者
Routledge
译者
2017-1-8 出版日期
250 页数
USD 149.95 价格
Hardcover
丛书系列
9781472431684 图书编码

Architecture and the Landscape of Modernity in China 在线电子书 图书标签: 中国建筑史  architecture-theory  待查  建筑  城市  UCL  Buch   


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发表于2024-12-24


Architecture and the Landscape of Modernity in China 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Architecture and the Landscape of Modernity in China 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Architecture and the Landscape of Modernity in China 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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Architecture and the Landscape of Modernity in China 在线电子书 著者简介

Edward Denison is an architectural historian and lecturer at the Bartlett School of Architecture, University College London. His previous publications include: Ultra-Modernism: Architecture and Modernity in Manchuria (2017), Luke Him Sau, Architect (2014), The Life of the British Home (2012), McMorran & Whitby (2009), Modernism in China (2008), Building Shanghai (2006), and Asmara: Africa’s Secret Modernist City (2003).


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Architecture and the Landscape of Modernity in China 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Architecture and the Landscape of Modernity in China 在线电子书 图书描述

This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional.

These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo.

The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.

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