Architecture and the Landscape of Modernity in China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Architecture and the Landscape of Modernity in China

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Edward Denison 作者
Routledge
譯者
2017-1-8 出版日期
250 頁數
USD 149.95 價格
Hardcover
叢書系列
9781472431684 圖書編碼

Architecture and the Landscape of Modernity in China 在線電子書 圖書標籤: 中國建築史  architecture-theory  待查  建築  城市  UCL  Buch   


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Architecture and the Landscape of Modernity in China 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Architecture and the Landscape of Modernity in China 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Architecture and the Landscape of Modernity in China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Architecture and the Landscape of Modernity in China 在線電子書 著者簡介

Edward Denison is an architectural historian and lecturer at the Bartlett School of Architecture, University College London. His previous publications include: Ultra-Modernism: Architecture and Modernity in Manchuria (2017), Luke Him Sau, Architect (2014), The Life of the British Home (2012), McMorran & Whitby (2009), Modernism in China (2008), Building Shanghai (2006), and Asmara: Africa’s Secret Modernist City (2003).


Architecture and the Landscape of Modernity in China 在線電子書 著者簡介


Architecture and the Landscape of Modernity in China 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Architecture and the Landscape of Modernity in China 在線電子書 圖書描述

This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional.

These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo.

The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.

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