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Craig Clunas 作者

Princeton University Press

译者

2017-3-7 出版日期

320 页数

USD 60.00 价格

Hardcover

丛书系列

9780691171937 图书编码

Chinese Painting and Its Audiences 在线电子书图书标签: 艺术史海外中国研究柯律格书画艺术藝術史中国研究 history

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发表于2024-11-21

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Chinese Painting and Its Audiences 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Chinese Painting and Its Audiences 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Chinese Painting and Its Audiences 在线电子书用户评价

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Super exciting and fruitful reading. Reflecting on the field of Chinese painting and the construction of "painting" in China, with bold arguments meticulously structured and solidly grounded by social historical, textual, visual evidences.

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The genealogy of "Chinese painting," questioning the "Chineseness" in writing Chinese art history from both domestic and outside through the 15th century towards today, by tracing the construction of the concept of "painting" in China。关心的问题并不新颖了，对“Chineseness”的提问也不前言了，但在艺术史领域一直没有这样的写作也是奇怪。柯律格运用大量史料和物证，分析大量绘画来证明他的论点。一次有趣的阅读体验。

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思路很清晰，启发很大的一本书

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Chinese Painting and Its Audiences 在线电子书著者简介

Craig Clunas is Professor of the History of Art at the University of Oxford. His books include Screen of Kings: Royal Art and Power in Ming China, Empire of Great Brightness: Visual and Material Culture and Social Status in Early Modern China, an

Chinese Painting and Its Audiences 在线电子书图书目录

Chinese Painting and Its Audiences 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Chinese Painting and Its Audiences 在线电子书图书描述

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them discussed here in English for the first time, to show how Chinese painting has been understood by a range of audiences over five centuries, from the Ming Dynasty to today. Richly illustrated, Chinese Painting and Its Audiences demonstrates that viewers in China and beyond have irrevocably shaped this great artistic tradition.

Arguing that audiences within China were crucially important to the evolution of Chinese painting, Clunas considers how Chinese artists have imagined the reception of their own work. By examining paintings that depict people looking at paintings, he introduces readers to ideal types of viewers: the scholar, the gentleman, the merchant, the nation, and the people. In discussing the changing audiences for Chinese art, Clunas emphasizes that the diversity and quantity of images in Chinese culture make it impossible to generalize definitively about what constitutes Chinese painting.

Exploring the complex relationships between works of art and those who look at them, Chinese Painting and Its Audiences sheds new light on how the concept of Chinese painting has been formed and reformed over hundreds of years.

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