Presented in one volume for the very first time, and updated with new archival discoveries, Early Auden, Later Auden reintroduces Edward Mendelson's acclaimed, two-part biography of W. H. Auden (1907–73), one of the greatest literary figures of the twentieth century. This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures.
Early Auden, Later Auden follows the evolution of the poet’s thought, offering a comparison of Auden’s views at various junctures over a lifetime. With penetrating insight, Mendelson examines Auden’s early ideas, methods, and personal transitions as reflected in poems, manuscripts, and private papers. The book then links changes in Auden’s intellectual, emotional, and religious experience with his shifting public role—showing the depth of his personal struggles with self and with fame, and the means by which these internal conflicts were reflected in his art in later years.
Featuring a new preface by the author, Early Auden, Later Auden is an engaging and timeless work that demonstrates Auden’s remarkable range and complexity, paying homage to his enduring legacy.
Edward Mendelson is the literary executor of the Estate of W. H. Auden, and the Lionel Trilling Professor in the Humanities at Columbia University. His books include Moral Agents, The Things That Matter, and Lives of the New York Intellectuals.
Re groups and sex, the two complement each other like day and night. I think there are two great desires which we are always confusing, the desire to be one of a group, building the dam, or facing the charging tiger [these involve both a barrier and a viole...
评分Re groups and sex, the two complement each other like day and night. I think there are two great desires which we are always confusing, the desire to be one of a group, building the dam, or facing the charging tiger [these involve both a barrier and a viole...
评分Re groups and sex, the two complement each other like day and night. I think there are two great desires which we are always confusing, the desire to be one of a group, building the dam, or facing the charging tiger [these involve both a barrier and a viole...
评分Re groups and sex, the two complement each other like day and night. I think there are two great desires which we are always confusing, the desire to be one of a group, building the dam, or facing the charging tiger [these involve both a barrier and a viole...
评分Re groups and sex, the two complement each other like day and night. I think there are two great desires which we are always confusing, the desire to be one of a group, building the dam, or facing the charging tiger [these involve both a barrier and a viole...
老实说,这本书的阅读过程像是一场马拉松,尤其是在涉及到中段那些关于社会变迁的宏大叙事时,稍微松懈就会跟不上作者的思路。它不像那些轻松愉快的消遣读物,它要求你全身心地投入,去感受作者那种近乎偏执的对“真实”的追寻。书中对于人物心理描写的细腻程度,简直达到了令人发指的地步,每一个微小的犹豫、每一次眼神的闪躲,都被作者用近乎手术刀般精准的语言剖开,置于光线下审视。我特别欣赏作者在叙事中偶尔流露出的那种克制的幽默感,它并非直白的笑料,而是在深刻的悲剧背景下,一种智慧的自我解嘲,让人在为人物命运感到唏嘘的同时,又不至于完全陷入沉重。虽然篇幅不薄,但得益于其引人入胜的叙事弧光,时间仿佛过得飞快,当你合上书页时,往往会有一种刚刚从另一个世界归来的恍惚感,久久不能平复。
评分我对这本书最初的兴趣源于对其独特结构的好奇。它似乎故意打破了传统小说的线性叙事,采用了碎片化、交叉对比的手法,这在初期阅读时造成了一些障碍,需要读者不断地在大脑中重组信息碎片。然而,一旦掌握了作者的“游戏规则”,这种非线性的叙事反而成为了一种强大的表达工具,它完美地模拟了记忆的随机性和现实的复杂性。书中对于特定历史事件的引用,处理得非常高明,不是简单的历史复述,而是将其内化为人物内心冲突的催化剂。最让我印象深刻的是其对“沉默”的描绘,作者似乎对文字无法言说的领域抱有敬畏,通过大量的留白和未尽之语,反而将那些未被说出口的情感力量推向了极致。这并非一本容易读透的作品,它更像是一个精妙的迷宫,需要耐心和重复的进入,才能发现其中心隐藏的、关于时间和存在的深刻洞察。
评分这本书初读时,那种扑面而来的诗意盎然的语言魅力,真是让人欲罢不能。它不仅仅是文字的堆砌,更像是一场精神上的漫游。作者对意象的捕捉精准而细腻,即便是那些看似寻常的景象,在他的笔下也焕发出一种异样的光彩。我尤其欣赏他对叙事节奏的把控,时而如急流般奔涌,时而又陷入沉思的低吟,这种张弛有度,使得阅读体验充满了层次感。读到某些段落,我甚至能清晰地感受到字里行间弥漫着的某种难以言喻的忧郁,那种属于特定时代背景下知识分子的迷茫与挣扎,被描摹得入木三分。尽管某些篇章的结构略显晦涩,需要反复咀嚼才能品出其中深意,但这恰恰也是其魅力所在,它不迎合浅尝辄止的阅读习惯,而是邀请读者进行更深层次的对话与探索。整本书的基调是内敛而富有张力的,像是一块经过千锤百炼的璞玉,需要用心去摩挲,才能发现其内蕴的光华。它带来的不仅仅是阅读的愉悦,更是一种对生命、对时代持续不断的叩问。
评分翻开这本册子,一股浓郁的学院派气息便扑鼻而来,装帧的考究和选用的纸张质感都透露出出版方对内容的尊重。从内容上看,它似乎更倾向于对文学批评方法论的深入探讨,而非单纯的文本赏析。作者在论证某些文学现象时,引经据典的丰富程度令人咋舌,仿佛将整个文学史的脉络都纳入了其思考的框架之内。我注意到他对于“现代性”的界定有着自己独到而尖锐的见解,挑战了许多既有的、略显陈腐的理论共识。当然,这种高屋建瓴的分析也带来了一定的阅读门槛,对于不熟悉相关理论背景的读者来说,初期的确会有一些吃力感,仿佛置身于一场高水平的学术研讨会中,需要紧跟发言者的思路。但一旦适应了这种密集的思辨节奏,就会发现其逻辑链条之严密,论证过程之无可指摘。这是一本需要做好笔记、反复查阅的工具书性质的作品,它提供了一种全新的、系统性的视角来解构我们习以为常的文学现象,让人在智识上得到了极大的满足。
评分这本书的排版和字体选择,给我的直观感受是极简主义的胜利。没有花哨的插图,没有夸张的标题设计,一切都服务于文字本身的重量。内容上,它呈现出一种近乎散文诗的特质,即便是在描述最世俗、最琐碎的生活片段时,作者的语言依然保持着一种高昂的抒情调性。我发现自己常常需要放慢语速,去细细品味那些介词和连词的妙用,因为正是这些看似微不足道的结构词汇,构成了整段文字的骨骼与血肉。它更像是一本关于“感受”的教科书,而非关于“事件”的记录。对于那些追求心灵共鸣的读者而言,这本书无疑是一次洗礼。它不像有些作品那样急于给出答案或明确的道德评判,而是提供了一片广阔的、允许读者自我投射的情感空间。读完后,你会觉得自己的感知能力被某种微妙的力量提升了,对日常生活的细微之处有了更敏锐的捕捉。
评分forbid automatic responses, / force us to have second thoughts, free from the fetters of Self. The goal of our divided self is love, but love “Needs more than the admiring excitement of union.” It needs an absolute union which, unlike the sexual act and the language of endearment, can never be broken or changed.
评分forbid automatic responses, / force us to have second thoughts, free from the fetters of Self. The goal of our divided self is love, but love “Needs more than the admiring excitement of union.” It needs an absolute union which, unlike the sexual act and the language of endearment, can never be broken or changed.
评分forbid automatic responses, / force us to have second thoughts, free from the fetters of Self. The goal of our divided self is love, but love “Needs more than the admiring excitement of union.” It needs an absolute union which, unlike the sexual act and the language of endearment, can never be broken or changed.
评分forbid automatic responses, / force us to have second thoughts, free from the fetters of Self. The goal of our divided self is love, but love “Needs more than the admiring excitement of union.” It needs an absolute union which, unlike the sexual act and the language of endearment, can never be broken or changed.
评分forbid automatic responses, / force us to have second thoughts, free from the fetters of Self. The goal of our divided self is love, but love “Needs more than the admiring excitement of union.” It needs an absolute union which, unlike the sexual act and the language of endearment, can never be broken or changed.
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