Socialist Cosmopolitanism pdf epub mobi txt 电子书 下载 2025
Nicolai Volland is assistant professor of Chinese and comparative literature at the Pennsylvania State University.
- 比较文学
- 海外中国研究
- PRC
- 文化研究
- 历史
- 中苏
- 中国文学
- 新书记
Socialist Cosmopolitanism offers an innovative interpretation of literature from the Mao era, proposing to read Chinese socialist literature as world literature. China after 1949 engaged with the world beyond its borders in myriad ways and on many levels—political and economic, cultural as well as literary. Far from rejecting the worldliness of earlier eras, Nicolai Volland demonstrates, the young People's Republic developed its own cosmopolitanism. Rather than a radical break with the past, Chinese socialist literature should be seen as an integral and important chapter of China's long search to find a place within world literature. Socialist Cosmopolitanism revisits a range of genres, from poetry and land reform novels to science fiction and children's literature, and shows how Chinese writers and readers alike saw their own literary production as part of a much larger literary universe. This literary space, reaching from Beijing to Berlin, from Prague to Pyongyang, from Warsaw to Moscow to Hanoi, allowed authors and texts to travel, in the course reinventing the meaning of world literature. Chinese socialist literature is driven by a hugely ambitious—and ultimately doomed—attempt to redraw the literary world map.
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这书一上市我就买来看，五十多刀呀，没想到这么快就出pdf了
评分这书一上市我就买来看，五十多刀呀，没想到这么快就出pdf了
评分这书一上市我就买来看，五十多刀呀，没想到这么快就出pdf了
评分是过的去的对于苏联文学的翻译/影响研究，但硬要往北美比较文学界流行的world literature, cosmopolitanism上硬拽，概念和事实常常脱节，并没有看出来哪里很有效地对上话了（好些时候也放弃对话了）。主体五章cover四种genre（土改小说、工业小说、科幻小说、儿童小说）和《译林》杂志，述大于论，时有缺乏证据的猜测。第二章谈到苏联-中国-朝鲜农业文学的多重时间性（既是同时代呼应，又以苏联的先进发展为目标时间线）和东北亚的liminal space of nation算是个亮点。
评分在Washington的AAS年会上见过作者本人，panel还请了Carlos Rojas主持。划重点：1950年代冷战格局的形成，两个不同的阵营从政治、经济、意识形态、文化和文学等方面提供了对于“世界”的不同想象：其中的任何一方都认为它们提供的才是真正的“世界”（the world），这一由冷战所提供的世界视野本身就是一个普世性的框架（a unversal framework）。这一框架既是摩尼教式的（Manichean），又是独白式的（monologic）的，既是单一的（singular）的，也是二元的（dualistic）的，这一基础上产生了两种对抗性的“世界文学”。
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