Conversations With Friends

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Sally Rooney was born in 1991 and lives in Dublin, where she graduated from Trinity College. Her work has appeared in Granta, The Dublin Review, The White Review, The Stinging Fly, and the Winter Pages anthology.

出版者:Faber & Faber
作者:Sally Rooney
出品人:
页数:336
译者:
出版时间:2017-6-1
价格:GBP 14.99
装帧:Hardcover
isbn号码:9780571333127
丛书系列:
图书标签:
  • 英文原版 
  • 小说 
  • SallyRooney 
  • 爱尔兰 
  • 爱尔兰文学 
  • 英文原著 
  • 外国文学 
  • Novel 
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From one of the Observer's Rising Stars of 2017, a high-risk, highbrow and intimate novel – and one of the most anticipated works of fiction this year. Features Frances, Bobbi, Nick and Melissa, four characters who ask each other endless questions. As their relationships unfold, in person and online, they discuss sex and friendship, art and literature, politics and gender, and, of course, one another.

From one of the Observer's Rising Stars of 2017, a high-risk, highbrow and intimate novel – and one of the most anticipated works of fiction this year.

Conversations with Friends is about Frances, Bobbi, Nick and Melissa, four characters who ask each other endless questions. As their relationships unfold, in person and online, they discuss sex and friendship, art and literature, politics and gender, and, of course, one another. Twenty-one-year-old Frances is at the heart of it all, bringing us this tale of a complex menage-a-quatre and her affair with Nick, an older married man.

You can read Conversations with Friends as a romantic comedy, or you can read it as a feminist text. You can read it as a book about infidelity, about the pleasures and difficulties of intimacy, or about how our minds think about our bodies. However you choose to read it, it is an unforgettable novel about the possibility of love.

'Fascinating, ferocious and shrewd. Sally Rooney has the sharpest eye for all of the most delicate cruelties of human interaction.' (Lisa McInerney, author of The Glorious Heresies)

'Sally Rooney is a writer going all the way to the top. Conversations with Friends features the twenty-first century Irish descendents of Salinger's guileless wiseasses brought to life in prose as taut and coolly poised as early Bret Easton Ellis.' (Colin Barrett, author of Young Skins)

'Written with such precision and perceptiveness, full of arid humour and reckless despair, a novel of spine-tingling salience.' (Sara Baume, author of Spill Simmer Falter Wither)

'Forensically smart and pin-sharp witty, this is a book to cherish and a writer to fall in love with.' (Thomas Morris, author of We Don't Know What We're Doing)

具体描述

读后感

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by 谷立立 要读懂一个时代,必须深入其中,体会它的脉动,熟知它的快乐与痛苦。身为“千禧一代”的佼佼者,爱尔兰90后女作家萨莉·鲁尼有资格书写她的时代。她比她的同龄人更加敏锐,有着看透事物表象的洞察力。因此,她不必费尽心思四处寻找题材,只要伸出手去,就能轻轻松松...  

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好细致。 77,i gave him head.少儿不太宜。 121,《花与爱丽丝》。 177,此处有呼应。为什么尼克需要女人笑的回应。women laughing always relaxed him. 213,叶芝躺枪。 233,暗中偷负去,夜半真给力。照理moved和touched,应该是前者力道更足,实则未必。总归是动了,移动的...

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只有中产阶级才会有阶级焦虑感,这种感情,和我同龄的sally rooney恐怕在不自觉之间就与我感同身受。 看《聊天记录》的时候,当时阅读《那不勒斯四部曲》和《金色笔记》的感受交织向我袭来。 同样是关注女性身体和成长感受的文学作品,这两部作品里与《聊天记录》有相似的符号...  

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This book gets better. It reminds me of The Idiot, but more relatable. Not that I’ve had similar life experiences like any of the characters, but the narrator Frances’ personality, sensitive and yet slow to realize her own feelings, acutely perceptive and...  

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是因为Normal People, Rooney的第二本书与这位作者结缘的。从情感上来讲,我更喜欢Normal People, 就故事而言感觉它更完整,也更牵动我的情绪。可Rooney的这本debut 倒是让我合上书的时候想的更多。 Rooney目前的两本书都有同一特点, 就是如果用一句话概括它的主线,读者很容...  

用户评价

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这种经验写作的优点缺点都很明显,可以代入自然是极好,但对于那些不具备主角人格情感经历的读者来说,通篇像是一份无法理解无法共情的人啰嗦心理描写无限延长,too personal而不具有普适性,而且我也真的不在乎low-esteem二十一岁女孩反复沉迷nick有多帅。小圈子里自我陶醉还行,在文学里格局过低

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看这本书里怎么处理少女和“大叔”的偷情故事。事件的转折点在于女主知道自己得了子宫内膜异位症,一种有可能导致不孕不育的“不治之症”,开始对男主产生厌恶心理……啊,这个子宫内膜异位,其实是很普通的病呀……有些桥段有所触动,flirt的部分可以当小黄书看。 因为写作者很年轻,加了半星到一星。

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We all have to go through certain things before we understand them.

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这年头要读到写得如此sweetly erotic又不做作的性爱场面是多么难啊!可能只有好大学的年轻女学生才会把性爱写得这样宜人吧,换一种身份这种写法就难以想象了。这本相比后来的Normal People结构上要笨拙一些,但对relationship中的权力关系和阶级差异的探讨已经开始了。问题在于第一人称+大段心理描写很容易让人觉得过于顾影自怜,好在主人公还不算太讨人嫌。最厉害的是用即时通讯式的语言成功地完成了一个长篇,坦诚、情感丰沛、对细节敏感又不过度留恋,节奏灵活。即时通讯创造了一种混合了口语和书面语的语言,而这部小说把这种语言里面最好的特质发扬光大了。

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Clearly in the minority here. I strongly dislike the book, as I cannot stand any of the main characters. Also hate the style of not using quotation marks.

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