Picasso was first attracted to the work of sixteenth-century Spanish poet Luis de Gongora y Argote during the 1920s, when the poet, called "the father of modern poetry" by Federico Garcia Lorca, was resurrected by the Surrealists. Gongora is comprised of twenty sonnets by the poet, which Pablo Picasso wrote out in hand and further embellished with flourishes, figures and sketches. The artist also rendered twenty portraits to accompany these poems. The result is a blending of word and image, full of imaginary variety and exceptional artistic virtuosity. This bilingual edition of "Gongora," featuring a preface by award-winning poet Edward Hirsch and an introduction by former New York Times chief art critic "John Russell," presents this intimate union of art and poetry. "Gongora"'s sophisticated and complex poetic style inspired a school of literature, called ""culteranismo,"" influenced by his expressive power, unrestrained by the strict conventions of formal Spanish. Known for his sharp wit and self-satire, he was acutely aware of the irony in his passion for women and gambling, and his position as a deacon of the Catholic Church. In "Gongora," Picasso's handwritten Spanish text, with its embellishing "remarques" closely following the words, established the artist's personal attachment to the poetry. The rich presentation of images--described as a "veritable feminine kaleidoscope"--invites the natural comparison with the great Spanish portraitists Velasquez and El Greco, who were Gongora's contemporaries. This edition of "Gongora" will appeal to a broad audience and expose a new generation of readers to the lyrical brilliance of this groundbreaking Spanish poet and to the visualinterpretation of his famous admirer. Picasso's etchings, executed in drypoint and aquatint, demonstrate an extraordinary ability to master the elements of light and shade to create rich, sensuous and mysterious effects. Perhaps Picasso's finest graphic accomplishment, "Gongora" is a memorable visual and literary experience. 40 duotone illustrations.
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这本书的语言风格,老实讲,初看之下有些晦涩,甚至带着一种令人敬畏的古典气息。它拒绝使用时下流行的网络词汇或过于直白的口语表达,而是沉浸在一种精心雕琢、富有韵律感的书面语境中。我常常需要停下来,反复咀嚼那些长句,体会其中精妙的从句结构和罕见的词汇选择。这感觉就像在品尝一杯需要时间醒酒的陈年佳酿,初入口时可能觉得过于浓烈,但随着气味的散发和温度的适宜,其深层的复杂性和层次感才会逐渐显露出来。对于习惯了快节奏阅读的现代读者来说,这无疑是一个门槛,但对于那些真正渴望文学深度的人来说,这正是一种馈赠。作者显然对文字有着近乎偏执的爱,每一个形容词的安放,每一个动词的选用,都像是经过了千锤百炼,目的是为了捕捉到那种最微妙、最难以言喻的情感波动。这种对语言纯粹性的坚持,让我对作者的文学抱负肃然起敬。
评分角色的塑造,是这本书最让我感到惊艳的部分之一。这里的“人”与其说是虚构的角色,不如说是活生生的、带着各种矛盾和缺陷的个体被精准地切片放置在了纸面上。没有绝对的好人或坏人,即便是看似邪恶的反派,其动机深处也埋藏着可以被理解的、甚至令人同情的创伤。我特别喜欢作者处理人物内心独白的方式,那种毫不留情的自我剖析和对人性阴暗面的坦诚直面,读起来让人感到既疼痛又真实。比如其中一位主角,他的每一次选择似乎都是在自我毁灭的边缘徘徊,他的挣扎与我们日常生活中那些“明知不可为而为之”的瞬间产生了强烈的共鸣。读完某个关键章节后,我甚至会花上几分钟时间,只是盯着空白的墙壁,思考如果是我处于那种境地,我会如何反应。这种强烈的代入感和心理投射,说明作者成功地超越了简单的情节驱动,而是直击了人类情感的核心地带,让人无法轻易抽离。
评分如果非要用一个词来概括这本书给我的整体感受,那可能就是“回响”。它不是那种读完就束之高阁的作品,它更像是一颗投入平静湖面的石子,产生的涟漪久久不能平息。故事的表层冲突或许已经解决,但它所探讨的哲学命题——关于记忆的可靠性、自由意志的边界,以及存在的本质意义——却在我脑海中不断盘旋、反复咀嚼。我发现自己会在不经意间,将书中的某些场景或对话与现实生活中的某些情境进行对照和反思。这种持续的、潜移默化的影响,正是衡量一部真正优秀文学作品的重要标准。它挑战了你的认知,拓展了你的思考维度,让你在合上封面的那一刻,感觉自己看待世界的视角发生了一点点不易察觉的偏移。这种深远的后劲和持久的思考价值,使得这本书的价值远远超出了单纯的娱乐消遣范畴,它更像是一次深刻的自我对话和精神远足。
评分我得说,作者的叙事技巧简直是教科书级别的示范。他并没有采用那种线性叙事,而是像一位技艺高超的织布匠,将时间线和人物关系编织得极其复杂,却又在关键时刻巧妙地揭示出脉络。初读时,你可能会感到一丝迷失,各种看似不相关的片段、闪回和旁白交织在一起,像是一团纷乱的丝线。但只要你坚持下去,稍微投入一点注意力去梳理,那些看似碎片化的信息会如同多米诺骨牌般依次倒下,最终拼凑出一个宏大而又令人震撼的全景。这种“剥洋葱”式的叙事结构,极大地增加了阅读的互动性,读者必须主动参与到意义的构建中去,而不是被动接受。这种处理方式无疑要求更高的集中力,但也正因为如此,当真相大白的那一刻,那种豁然开朗的喜悦感,是任何平铺直叙的故事都无法比拟的。我花了很长时间才完全消化前三分之一的内容,但那种被智力挑战后的满足感,让我愿意沉浸其中,去探索作者精心布局的每一个陷阱和暗示。
评分这本书的装帧设计真是让人眼前一亮,那种略带复古的封面处理,仿佛带着一股沉淀下来的墨香,让人忍不住想立刻翻开它,探究里面究竟藏着怎样的故事。纸张的质感也选得极好,厚实而细腻,握在手里有一种踏实的重量感,翻页时发出的“沙沙”声,都像是某种仪式感的开始。我尤其欣赏作者在排版上花费的心思,无论是字体的选择还是行距的把控,都透露出一种对阅读体验的极致追求。它不像市面上那些追求快速翻阅的快餐读物,而是鼓励你慢下来,去品味每一个字句,去感受文字构建的世界。那种内敛而又不失精致的风格,让这本书不仅仅是一本用来阅读的书,更像是一件可以收藏起来的艺术品。初次接触这类书籍,我本以为会觉得过于严肃,但实际阅读后发现,那种沉稳的外表下,其实蕴藏着一颗跳动着热烈情感的心脏。它在细节之处展现出的匠心,已经为接下来的阅读体验定下了一个高雅而又引人入胜的基调,让人充满了期待。
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