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Grimshaw sets a new agenda for visual anthropology, attempting to transcend the old division between image and text-based ethnography. She argues for the use of vision as a critical tool with which anthropologists can address issues of knowledge and technique. The first part of the book critically examines anthropology's history, focusing on the work of key individuals--Rivers, Malinowski and Radcliffe-Brown--in the context of early modern art and cinema. In the book's second part, Grimshaw considers the anthropological films of Jean Rouch, David and Judith MacDougall and Melissa Llewelyn-Davies.
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the discussion in the first chapter in terms of "iconophobia" is brilliant
评分quite interesting : P
评分visual anthropology 范本之一
评分quite interesting : P
评分周二下午看电影，上午临时抱佛脚看书……因为都是没看纪录片就看了文章，效果甚微……
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