This exhaustive look at a long century of art making and art questioning is, understandably, more broad than it is deep. A massive, boxed, two-volume set, it's divided into sections on painting, sculpture, new media (performance art, video art, earth art, etc.), and photography, with a 150-page biographical appendix of all of the 780 artists whose works are illustrated in the main sections of the book. The original German text, written by a team of writers and art historians, has been fluidly translated by John William Gabriel. The authors are very much of their own time and place: there are more works from after World War II than before it, and many more German artists--including mediocre and derivative ones--make the cut than if the book had been written by, say, an English or a French team. In fact, the English seem slightly shortchanged here. William Tucker, still a vital influence, is represented by a 1967 minimal sculpture and a four-word mention, and painter Howard Hodgkin is omitted entirely. And while American sculptor-entrepreneur Jeff Koons is given more than his due, the thoughtful and significant Rachel Whiteread is not mentioned at all. But Art of the Twentieth Century is an unquestionably useful reference guide to a period that swings dramatically from the impressionists all the way to Nam June Paik. --This text refers to an out of print or unavailable edition of this title.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
Vol.1 painting
评分這一套當代史完全沒美學支持啊，而且很多分析都明顯重現瞭傳統藝術的普遍與自發性悖論，又或者說在這裏當代藝術從來就沒有實現過阿多諾說的真理性自律。
评分寶書！！！
评分這一套當代史完全沒美學支持啊，而且很多分析都明顯重現瞭傳統藝術的普遍與自發性悖論，又或者說在這裏當代藝術從來就沒有實現過阿多諾說的真理性自律。
评分四星半，雖然還是對其中大部分藝術無感，但是還是要為taschen的精良評分。
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