Virginia Woolf is now recognized as a major twentieth-century author, a great novelist and essayist and a key figure in literary history as a feminist and a modernist. Born in 1882, she was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. Her father died in 1904 and two years later her favourite brother Thoby died suddenly of typhoid.
With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917, which was to publish the work of T. S. Eliot, E. M. Forster and Katherine Mansfield as well as the earliest translations of Freud. Woolf lived an energetic life among friends and family, reviewing and writing, and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.
Her first novel, The Voyage Out, appeared in 1915, and she then worked through the transitional Night and Day (1919) to the highly experimental and impressionistic Jacob’s Room (1922). From then on her fiction became a series of brilliant and extraordinarily varied experiments, each one searching for a fresh way of presenting the relationship between individual lives and the forces of society and history. She was particularly concerned with women’s experience, not only in her novels but also in her essays and her two books of feminist polemic, A Room of One’s Own (1929) and Three Guineas (1938).
Her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), the family saga of The Years (1937), and Between the Acts (1941). All these are published by Penguin, as are her Diaries, Volumes I-V, and selections from her essays and short stories.
The Waves, more than any of Virginia Woolf's novels, conveys the complexities of human experience. Tracing the lives of a group of friends, The Waves follows their development from childhood to youth and middle age.
While social events, individual achievements and disappointments form its narrative, the novel is most remarkable for the rich poetic language that conveys the inner life of its characters: their aspirations, their triumphs and regrets, their awareness of unity and isolation. Separately and together, they query the relationship of past to present, and the meaning of life itself.
一周时间将爱不释手的《海浪》读完。期初感觉艰涩难懂,拗口不适,也许是因为初次细品意识流小说,总是被那凌乱分散的描写分心走神。但当我偶尔触碰到了一两个触动人心,产生极大共鸣的句子,倏然就会被伍尔夫那细腻透彻的笔触所吸引。 她可以将我曾朦胧感触到的,却无法用语...
評分This is not really a review, but some casual notes. It's hard for me to rate this book, and it's just as hard to read it. If you have watched the first episode of the first season of the Black Bookshop, you may well remember "the little book of calmness"....
評分This is not really a review, but some casual notes. It's hard for me to rate this book, and it's just as hard to read it. If you have watched the first episode of the first season of the Black Bookshop, you may well remember "the little book of calmness"....
評分伍尔夫,大学时代的神经病,大学时就知道她了,但当时背GRE单词去了丢下了她;据说这本书是她的代表作。为了装B买了本原文的。 我老实承认水平太差,原版看不懂懂懂懂…… 带去台湾打算路上读,读了几章放弃了,完全无能。后来为了骑行减重,得考虑丢掉一些东西,相比身体的...
評分一周时间将爱不释手的《海浪》读完。期初感觉艰涩难懂,拗口不适,也许是因为初次细品意识流小说,总是被那凌乱分散的描写分心走神。但当我偶尔触碰到了一两个触动人心,产生极大共鸣的句子,倏然就会被伍尔夫那细腻透彻的笔触所吸引。 她可以将我曾朦胧感触到的,却无法用语...
幸好有意識流巔峰之作調劑
评分Wave is a very apt metaphor for both its theme and the reading experience. It is truth on another dimension---beyond the articulate, the linear, and the rational. The book (be warned, it's not a novel) is a challenge. It is such a genre-defying work that I don't see myself a competent judge, if a judge at all.
评分pure poetry
评分Woolfian Sense 6. 一場對語言的解放。謎一樣的能指與所指,這一本是齣瞭名的難讀。詩化的意識投射與形式之美。看不懂是為必然。因為我們都在一個奔嚮the Real的盛大死亡中。海浪,起起伏伏。起起伏伏。
评分i am all of you
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