Friedrich Nietzsche(1844-1900)stands among the most influential thinkers of modern times,having created a body of work that has had an effect extending far beyond the discipline of philosophy.It is ironical to note that Nietzsche,known for his critical attitude toward Christianity,came from a line of Lutheran ministers.His initial interest in theology was replaced by classical philology,for which he manifested such ability that he was offered a chair in Basel before he had won his doctorate.But Nietzsche's enthusiasm for philology waned and, although he continued to teach until 1879,his interest shifted to the broader field of philosophy.His first major work was that presented here, The Birth of Tragedy,1872.
"contains the unabridged text of The Birth of tragedy from the spirit of music"
Among the most influential philosophers of modern times,Friedrich Nietzsche(1844-1900)declared in this classic study that Greek tragedy achieved greatness through a fusion of elements of Apollonian restraint and control with Dionysian components of passion and the irrational. In Nietzsche's eyes,however,Greek tragedy had been destroyed by the rationalism and optimism of thinkers like Socrates.Nevertheless,he found in these ancient works the life-affirming concept that existence is still beautiful,however grim and depressing it may sometimes be.These and many other ideas are argued with passionate conviction in this challenging book,called by British classicist F.M.Cornford "a work of profound imaginative insight,which left the scholarship of a generation toiling in the rear."
尼采其实对于音乐,艺术,喜剧,悲剧,存在,灵感,并没有想得很清晰——我想是因为他不是以一个科学家的方式去考虑这些问题的,而是在一个打了鸡血的艺术家附体的时候写出来的。 他只是很激动。 他会说:在今日的世界,酒神精神方在逐渐苏醒,我们心中将恢复热烈的希望……从...
评分【按语:《悲剧的诞生(1872)》是尼采最早的作品,基本上是在叔本华的意志论框架内考察了艺术尤其是悲剧艺术:作为本原的意志,音乐在艺术中的优先性等都是叔本华的论题;不同之处在于:当叔本华觉得禁欲主义才是人生出路的时候,Nietzsche则认为艺术是生存的最高阶段。纵使如...
评分作者:李钰辉,陆钓雪 酒神精神和日神精神是《悲剧的诞生》中的两个主要部分,同时也是悲剧诞生的原因。可是虽说悲剧的诞生由日神精神和酒神精神的交融下形成的,但是两者发生的作用和所处的地位不同。酒神精神作为悲剧之“悲”是悲剧的内核,日神精神是悲剧诞生...
评分一、赫拉克利特:人间智者 人居世间如扁舟行于沧海,时刻面临着孤独与虚无的恐惧,然而恰恰是为了克服这样的恐惧,“伟大者必须永恒”却成了人类发自肺腑的执着呼唤。似乎,惟有借自己的成就与名声方可超越时间与死亡,永远被后代铭记,惟有伟大者的永恒能够使生存显得可以理...
评分宇宙和人类生命,像叔本华说分析的,含有意志(will)与意象(idea)两个要素。有意志即有需求有情感,需求与情感即为一切痛苦悲哀之源。人永远不能由自我与其所带的意志中拔出,所以生命永远是一种痛苦。生命痛苦的救星即为意象。意象是意志的外射或对象化。有意象则人取得超然...
看不懂。。
评分看不懂。。
评分读这本黑格尔气的书有两套相反相成的读法。第一种是周国平式读法,我国八九十年代就以读他的译本而开始接受尼采,本书几乎在彼时成为尼采的化身;但明显更为重要的是第二种读法,即尼采自己在第二版序言写的自我批判的尝试的读法,以后期尼采读早期尼采。周国平太有早期尼采气质,可惜尼采越走越高而国平节节败退。后来海德格尔批判尼采是一个颠倒的柏拉图主义者的要义即在于被尼采看作一生的耻辱的这本从叔本华与康德倒向柏拉图的书。但无论如何,这是尼采思想的开端,是狄奥尼索斯与查拉图斯特拉精神的生命强权冲创意志的起点,是被钉在十字架上的尼采永恒轮回形象包含阿波罗智慧的闪光。哪有寻求自我毁灭的意志?尼采反对从柏拉图到叔本华的形而上学残余。这有心灵鸡汤?尼采刻薄而恶毒地攻击瓦格纳的软肋。从悲剧的诞生开始,尼采神正论凝视真理黑洞
评分看不懂。。
评分读这本黑格尔气的书有两套相反相成的读法。第一种是周国平式读法,我国八九十年代就以读他的译本而开始接受尼采,本书几乎在彼时成为尼采的化身;但明显更为重要的是第二种读法,即尼采自己在第二版序言写的自我批判的尝试的读法,以后期尼采读早期尼采。周国平太有早期尼采气质,可惜尼采越走越高而国平节节败退。后来海德格尔批判尼采是一个颠倒的柏拉图主义者的要义即在于被尼采看作一生的耻辱的这本从叔本华与康德倒向柏拉图的书。但无论如何,这是尼采思想的开端,是狄奥尼索斯与查拉图斯特拉精神的生命强权冲创意志的起点,是被钉在十字架上的尼采永恒轮回形象包含阿波罗智慧的闪光。哪有寻求自我毁灭的意志?尼采反对从柏拉图到叔本华的形而上学残余。这有心灵鸡汤?尼采刻薄而恶毒地攻击瓦格纳的软肋。从悲剧的诞生开始,尼采神正论凝视真理黑洞
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