The Birth of Tragedy pdf epub mobi txt 电子书 下载 2025
Friedrich Nietzsche(1844-1900)stands among the most influential thinkers of modern times,having created a body of work that has had an effect extending far beyond the discipline of philosophy.It is ironical to note that Nietzsche,known for his critical attitude toward Christianity,came from a line of Lutheran ministers.His initial interest in theology was replaced by classical philology,for which he manifested such ability that he was offered a chair in Basel before he had won his doctorate.But Nietzsche's enthusiasm for philology waned and, although he continued to teach until 1879,his interest shifted to the broader field of philosophy.His first major work was that presented here, The Birth of Tragedy,1872.
- 尼采
- Nietzsche
- 英文
- 现代哲学
- 外国文学
- tragedy
- society
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"contains the unabridged text of The Birth of tragedy from the spirit of music"
Among the most influential philosophers of modern times,Friedrich Nietzsche(1844-1900)declared in this classic study that Greek tragedy achieved greatness through a fusion of elements of Apollonian restraint and control with Dionysian components of passion and the irrational. In Nietzsche's eyes,however,Greek tragedy had been destroyed by the rationalism and optimism of thinkers like Socrates.Nevertheless,he found in these ancient works the life-affirming concept that existence is still beautiful,however grim and depressing it may sometimes be.These and many other ideas are argued with passionate conviction in this challenging book,called by British classicist F.M.Cornford "a work of profound imaginative insight,which left the scholarship of a generation toiling in the rear."
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作者：李钰辉，陆钓雪 酒神精神和日神精神是《悲剧的诞生》中的两个主要部分，同时也是悲剧诞生的原因。可是虽说悲剧的诞生由日神精神和酒神精神的交融下形成的，但是两者发生的作用和所处的地位不同。酒神精神作为悲剧之“悲”是悲剧的内核，日神精神是悲剧诞生...
评分 评分导言： 尼采《悲剧的诞生》是一部颇具争议性的著作，人们对其进行了多方的解读，或说其实古典学著作，或说其是美学著作，或说其是形而上学著作，具有如此众多的阐释角度，这显然是一部奇书。虽然从字数来说，《悲剧的诞生》是一部小书，但是从它涵盖的范围和哲学意义来说，这又...
评分尼采的《悲剧的诞生》可以被认为是围绕三个问题展开的，即悲剧的诞生；悲剧的消亡；以及悲剧可能复活吗？这里我仅对于悲剧的诞生这个问题写一点自己的思考和感悟。 在书的一开始，尼采便介绍了两种基本的艺术形式，即阿波罗的造型艺术以及狄奥尼索斯的非造型艺术，而艺术的进...
评分首先说明一下，这篇不是读后感，充其量是读书笔记。近来越发觉得自己的记忆力衰退厉害（还年轻啊，咋整- -……），所以很有必要对自己的阅读作些札记，不然以后除了书名外，其余没准都忘个一干二净。而豆瓣的短评有万恶的字数限制，没辙，唯有以书评形式来记录吧。 接着说明的...
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评分读这本黑格尔气的书有两套相反相成的读法。第一种是周国平式读法，我国八九十年代就以读他的译本而开始接受尼采，本书几乎在彼时成为尼采的化身；但明显更为重要的是第二种读法，即尼采自己在第二版序言写的自我批判的尝试的读法，以后期尼采读早期尼采。周国平太有早期尼采气质，可惜尼采越走越高而国平节节败退。后来海德格尔批判尼采是一个颠倒的柏拉图主义者的要义即在于被尼采看作一生的耻辱的这本从叔本华与康德倒向柏拉图的书。但无论如何，这是尼采思想的开端，是狄奥尼索斯与查拉图斯特拉精神的生命强权冲创意志的起点，是被钉在十字架上的尼采永恒轮回形象包含阿波罗智慧的闪光。哪有寻求自我毁灭的意志？尼采反对从柏拉图到叔本华的形而上学残余。这有心灵鸡汤？尼采刻薄而恶毒地攻击瓦格纳的软肋。从悲剧的诞生开始，尼采神正论凝视真理黑洞
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