阿拉文德·阿迪加一九七四年出生于印度海港城市马德拉斯,后移居澳大利亚。毕业后曾任《时代周刊》驻印度通讯记者,并为《金融时报》、《独立报》、《星期日泰晤士报》等英国媒体撰稿。现居孟买。《白老虎》是其处女作。
Aravind Adiga's extraordinary and brilliant first novel takes the form of a series of letters to Wen Jiabao, the Chinese premier, from Balram Halwai, the Bangalore businessman who is the self-styled “White Tiger” of the title. Bangalore is the Silicon Valley of the subcontinent, and on the eve of a state visit by Jiabao, our entrepreneur Halwai wishes to impart something of the new India to the Chinese premier - “out of respect for the love of liberty shown by the Chinese people, and also in the belief that the future of the world lies with the yellow man and the brown man now that our erstwhile master, the white-skinned man, has wasted himself through buggery, mobile phone usage and drug abuse”.
Halwai's lesson about the new India is drawn from the rags-to-riches story of his own life. For Halwai, the son of a rural rickshaw-puller, is from the “Darkness”: “Please understand, Your Excellency, that India is two countries in one: an India of Light, and an India of Darkness. The ocean brings light to my country. Every place on the map of India near the ocean is well-off. But the river brings darkness to India - the black river.”
The black river is the Ganges, beloved of the sari-and-spices tourist image of India. (“No! - Mr Jiabao, I urge you not to dip in the Ganga, unless you want your mouth full of faeces, straw, soggy parts of human bodies, buffalo carrion, and seven different kinds of industrial acids.”)
At first, this novel seems like a straightforward pulled-up-by-your-bootstraps tale, albeit given a dazzling twist by the narrator's sharp and satirical eye for the realities of life for India's poor. (“In the old days there were 1,000 castes...in India. These days, there are just two castes: Men with Big Bellies, and Men with Small Bellies.”) But as the narrative draws the reader further in, and darkens, it becomes clear that Adiga is playing a bigger game. For The White Tiger stands at the opposite end of the spectrum of representations of poverty from those images of doe-eyed children that dominate our electronic media - that sentimentalise poverty and even suggest that there may be something ennobling in it. Halwai's lesson in The White Tiger is that poverty creates monsters, and he himself is just such a monster.
一声低沉的咆哮吓得我立刻转过头去。一直黑狗在我身后转着圈,它的左屁股上有一块粉红色的皮肤在发亮——那是一个开放性的伤口,这只狗不停地扭动着身子,想咬那伤口,但是它的牙齿恰恰够不着。这只狗痛得快发疯了——它留着口水,企图要到那伤口,结果只是疯狂地转着毫无意义...
评分“印度不会发生革命,这个国家的人民仍然会在等待,等待别处过来的一场战争来解放他们。革命绝不会发生,每个人都必须创建自己的圣城” 我想这些话用来描述中国目前的现状也很准确。或许中国真的不需要改变什么,我们这些年轻人正在接受着目前的现实,试图适应这个社会。的确...
评分从没想要在豆瓣上评点什么。看了白老虎,实在是忍不住了。随便写点。 标题其实已经把我的意思表达完毕了。这段直接就算是我给阿迪加的几句吧。阿迪加啊,你这家伙年纪不大,大概不介意我称呼一声老兄吧。那么老兄,我实在是很敬佩你啊,你这玩意,给中国的触动应该不下于印度...
评分《白老虎》是一本非常特别的小说,曾一度让我误以为是政治性的书信体作品,因为它的封面语为:一位印度企业家写给中国总理的信。结果读过之后,发现真乃大错特错,事实上这是一本诙谐幽默风趣的虚构小说,当然虚中也有实,而它的独到之处,恰恰就在于书信体的设定上。 ...
评分13年游走印度的时候我一直有不解,跟中国相比那些不收门票的寺庙总是香火极旺当地信徒虔诚敬拜人数极多,可“以XXX神的名义向你保证”却也是商贩们讨价还价的常用语调。比如在瓦拉纳西看宗教仪式,跑过来当导游的小伙子会首先警告你尊重仪式不能拍照,而后会带你到旁边选取一个...
an alternative of "slumdog millionaire"
评分虽然主角是Balram,但最复杂、最迷人,我最喜欢、也最惋惜的角色是Ashok。
评分一个Ashok被社会腐蚀到惨死,另一个Ashok终于不再做仆人。每次讲Delhi,Gurgaon,MG Road种种,都好亲切啊
评分若非死于英雄之名,就要活到看着自己变成坏人
评分真实的印度
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