Noted painter, designer, theoretician analyzes the effect of visual language on the structure of human consciousness, in particular how the elements of line and form are perceived and how innovative types of perspective can lead to more dynamic representations in art. Over 300 photographs, drawings and illustrations. Introductory essays by S. Giedion and S.I. Hayakawa.
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不仅能看到科林罗，还能看到德勒滋
评分不仅能看到科林罗，还能看到德勒滋
评分Colin Rowe从中“攫取”了“Transparency”加以利用，但吸引我的一段摘抄如下：“A memory constancy...is attached to familiar things of our surroundings. We keep a constant size and shape in our perception however the size and shape of the retinal projection may vary with changes in our angle of vision” （p87）
评分Colin Rowe从中“攫取”了“Transparency”加以利用，但吸引我的一段摘抄如下：“A memory constancy...is attached to familiar things of our surroundings. We keep a constant size and shape in our perception however the size and shape of the retinal projection may vary with changes in our angle of vision” （p87）
评分Colin Rowe从中“攫取”了“Transparency”加以利用，但吸引我的一段摘抄如下：“A memory constancy...is attached to familiar things of our surroundings. We keep a constant size and shape in our perception however the size and shape of the retinal projection may vary with changes in our angle of vision” （p87）
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