Noted painter, designer, theoretician analyzes the effect of visual language on the structure of human consciousness, in particular how the elements of line and form are perceived and how innovative types of perspective can lead to more dynamic representations in art. Over 300 photographs, drawings and illustrations. Introductory essays by S. Giedion and S.I. Hayakawa.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
不僅能看到科林羅，還能看到德勒滋
评分Colin Rowe從中“攫取”瞭“Transparency”加以利用，但吸引我的一段摘抄如下：“A memory constancy...is attached to familiar things of our surroundings. We keep a constant size and shape in our perception however the size and shape of the retinal projection may vary with changes in our angle of vision” （p87）
评分Colin Rowe從中“攫取”瞭“Transparency”加以利用，但吸引我的一段摘抄如下：“A memory constancy...is attached to familiar things of our surroundings. We keep a constant size and shape in our perception however the size and shape of the retinal projection may vary with changes in our angle of vision” （p87）
评分Colin Rowe從中“攫取”瞭“Transparency”加以利用，但吸引我的一段摘抄如下：“A memory constancy...is attached to familiar things of our surroundings. We keep a constant size and shape in our perception however the size and shape of the retinal projection may vary with changes in our angle of vision” （p87）
评分提到MIT的凱皮斯，學建築的人可能知道的不多；可是提到林奇，建築係的人都知道。然後，林奇當年研究城市意象時，閤作者就是凱皮斯。這本關於視覺語言的書，是現代視覺語言的一本經典。很包豪斯。
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