If you can't make it to one of Bruce Block's legendary visual storytelling seminars, then you need his book! Now in full color for the first time, this best-seller offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, animated piece, or video game. You'll learn how to structure your visuals as carefully as a writer structures a story or a composer structures music. Understanding visual structure allows you to communicate moods and emotions, and most importantly, reveals the critical relationship between story structure and visual structure.
The Visual Story offers a clear view of the relationship between the story/script structure and the visual structure of a film, video, or multimedia work. An understanding of the visual components will serve as the guide to strengthening the overall story.
The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.
Bruce Block has the production credentials to write this definitive guide. His expertise is in demand, and he gives seminars at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe.
The concepts in this book will benefit writers, directors, photographers, production designers, art directors, and editors who are always confronted by the same visual problems that have faced every picture maker in the past, present, and future.
* Now in full color!
* Written by a renowned producer, visual consultant, and teacher
* The material in this books applies to any kind of visual story, including films, animated pieces, video games, and television
花了不到了一个小时时间,粗看完了这本书。挺失望的。这本书算一本入门级的书。作者写这本书,是奔着实用主义去的,目的是想把它变成一个实用手册,能让读者活学或用。全书看下来,这种效果很不明显。 内容方面没有特别出新。作者只是将各种电影元素重新梳理了一一遍,如对比/...
評分花了不到了一个小时时间,粗看完了这本书。挺失望的。这本书算一本入门级的书。作者写这本书,是奔着实用主义去的,目的是想把它变成一个实用手册,能让读者活学或用。全书看下来,这种效果很不明显。 内容方面没有特别出新。作者只是将各种电影元素重新梳理了一一遍,如对比/...
評分花了不到了一个小时时间,粗看完了这本书。挺失望的。这本书算一本入门级的书。作者写这本书,是奔着实用主义去的,目的是想把它变成一个实用手册,能让读者活学或用。全书看下来,这种效果很不明显。 内容方面没有特别出新。作者只是将各种电影元素重新梳理了一一遍,如对比/...
評分花了不到了一个小时时间,粗看完了这本书。挺失望的。这本书算一本入门级的书。作者写这本书,是奔着实用主义去的,目的是想把它变成一个实用手册,能让读者活学或用。全书看下来,这种效果很不明显。 内容方面没有特别出新。作者只是将各种电影元素重新梳理了一一遍,如对比/...
評分花了不到了一个小时时间,粗看完了这本书。挺失望的。这本书算一本入门级的书。作者写这本书,是奔着实用主义去的,目的是想把它变成一个实用手册,能让读者活学或用。全书看下来,这种效果很不明显。 内容方面没有特别出新。作者只是将各种电影元素重新梳理了一一遍,如对比/...
這本書太牛逼瞭!基礎 visual grammar 講解. How to pass on emotion to the audience by choosing color, shape and line, space, movement, tone and rhythm in the film. 看完以後整個人都 updated! 對 shot design 和 Production Design 都巨有幫助!
评分Cinematographer, Art Director, Editor & Director must see
评分入門專用,容納的非常全,幾乎所有電影的元素都介紹瞭。
评分鍾文推薦,讀瞭一年多,非常紮實和基礎的視覺影像教科書。可以當作工具書一直一直翻看。
评分此書對於鏡頭架構、視覺語言應用有極大的幫助。很多直覺和經驗性的東西被量化,從而我們在使用的時候可以得心應手。
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