This fascinating and timely publication examines the criminalization of cultural practices in contemporary Britain. By examining a range of criminalized cultural activities, including dog fighting, tunnel and tree dwellers, rave subcultures and joy-riding, the book reworks the notion of the senseless' act and explores the performance of actual crime and violence as cultural commodities to be consumed as entertainment by a society anxious for new and more exciting experiences. Cultural Criminology and the Carnival of Crime attempts to make sense of the current increase in violence, cruelty, hate and humiliation, which has come to permeate daily life. The text argues that an overly organised economic world has provoked a widespread desire for extreme, oppositional forms of popular and personal pleasure. This desire has resulted in a cathartic 'second life' of illicit pleasures often deemed criminal by those in power. Amongst the exciting issues Mike Presdee addresses are: joyriding street crime antisocial behaviour in private via the internet hate, hurt and humiliation in popular culture the popularisation and criminalisation of sadomasochism and dance music cu
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崇尚暴力和破壞的英式青年文化是對理性的反抗，狂歡節vs工作日一樣。我在夜場看到的鄉非們也是同一種錶演，演著正戲之外的英雄。
评分崇尚暴力和破壞的英式青年文化是對理性的反抗，狂歡節vs工作日一樣。我在夜場看到的鄉非們也是同一種錶演，演著正戲之外的英雄。
评分崇尚暴力和破壞的英式青年文化是對理性的反抗，狂歡節vs工作日一樣。我在夜場看到的鄉非們也是同一種錶演，演著正戲之外的英雄。
评分To consent to violence in ‘hate’ is sport; to consent to violence in ‘love’ is a crime. To be affluent is to be worthy; to be impoverished and in debt is a crime. The criminalisation of culture is no more than the legalisation of prejudice and moral beliefs held by the powerful over and against the powerless, the poor and the dispossessed.
评分崇尚暴力和破壞的英式青年文化是對理性的反抗，狂歡節vs工作日一樣。我在夜場看到的鄉非們也是同一種錶演，演著正戲之外的英雄。
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