China's New Voices 在线电子书 图书标签: 音乐 中国 音乐社会学 女性主义 文化研究 文化 摇滚乐 摇滚
发表于2024-12-25
China's New Voices 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
越看越发觉音乐的无力
评分越看越发觉音乐的无力
评分感觉可以借鉴其中的analysis的写作部分。这是一部跨学科的分析,加上musicology的一些reference, 但是确实有些部分对中国读者来说是一种叙述,而不是分析。着重看的是masculinity部分,同意1) pursue idealised western masculinity image 2) back to a traditional male image: wen masculinity.
评分感觉可以借鉴其中的analysis的写作部分。这是一部跨学科的分析,加上musicology的一些reference, 但是确实有些部分对中国读者来说是一种叙述,而不是分析。着重看的是masculinity部分,同意1) pursue idealised western masculinity image 2) back to a traditional male image: wen masculinity.
评分老外看中国总是有距离需要跨越,有文化屏障需要突破,可是态度真诚不真诚,一眼就看出来了。还算比较靠谱的一本书,但是中国人自己看起来就是常识了。“洞见”还是那些有特定时空体验的人才能提出来
About The Author
Nimrod Baranovitch is Lecturer in Chinese Culture and Society in the Department of East Asian Studies at Haifa University and Research Fellow at the Harry S. Truman Research Institute for the Advancement of Peace at the Hebrew University of Jerusalem.
This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there.
Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music.
keywords: Ethnicity
Contents
List of Illustrations
Preface
Acknowledgments
Introduction
1. China Diversified: An Overview of Popular Music in the Reform Era, 1978–1997
2. The Negotiation of Minority/Majority Identities and Representation in Popular Music Culture
3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality
4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity
Notes
References
Index
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China's New Voices 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024