China's New Voices pdf epub mobi txt 電子書下載2025

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About The Author

Nimrod Baranovitch is Lecturer in Chinese Culture and Society in the Department of East Asian Studies at Haifa University and Research Fellow at the Harry S. Truman Research Institute for the Advancement of Peace at the Hebrew University of Jerusalem.

出版者:University of California Press

作者:Nimrod Baranovitch

出品人:

頁數:346

译者:

出版時間:2003-8-1

價格:USD 85.00

裝幀:Hardcover

isbn號碼:9780520234499

叢書系列:

圖書標籤:

音樂
中國
音樂社會學
女性主義
文化研究
文化
搖滾樂
搖滾

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This is the most comprehensive study to date of the rich popular music scene in contemporary China. Focusing on the city of Beijing and drawing upon extensive fieldwork, China's New Voices shows that during the 1980s and 1990s, rock and pop music, combined with new technologies and the new market economy, have enabled marginalized groups to achieve a new public voice that is often independent of the state. Nimrod Baranovitch analyzes this phenomenon by focusing on three important contexts: ethnicity, gender, and state politics. His study is a fascinating look at the relationship between popular music in China and broad cultural, social, and political changes that are taking place there.

Baranovitch's sources include formal interviews and conversations conducted with some of China's most prominent rock and pop musicians and music critics, with ordinary people who provide lay perspectives on popular music culture, and with others involved in the music industry and in academia. Baranovitch also observed recording sessions, concerts, and dance parties, and draws upon TV broadcasts and many publications in Chinese about popular music.

keywords: Ethnicity

Contents

List of Illustrations

Preface

Acknowledgments

Introduction

1. China Diversified: An Overview of Popular Music in the Reform Era, 1978–1997

2. The Negotiation of Minority/Majority Identities and Representation in Popular Music Culture

3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality

4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity

Notes

References

Index

具體描述

讀後感

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用戶評價

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感覺可以藉鑒其中的analysis的寫作部分。這是一部跨學科的分析，加上musicology的一些reference, 但是確實有些部分對中國讀者來說是一種敘述，而不是分析。著重看的是masculinity部分，同意1) pursue idealised western masculinity image 2) back to a traditional male image: wen masculinity.

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越看越發覺音樂的無力

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不錯瞭

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很套路

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越看越發覺音樂的無力