Amazon.com It has been said that one can see farther only by standing on the shoulders of giants. Ahab's Wife， Sena Naslund's epic work of historical fiction， honors that aphorism， using Herman Melville's Moby-Dick as looking glass into early-19th-century America. Through the eye of an outsider， a woman， she suggests that New England life was broader and richer than Melville's manly world of men， ships， and whales. This ambitious novel pays tribute to Melville， creating heroines from his lesser characters， and to America's literary heritage in general. Una， named for the heroine of Edmund Spenser's Faerie Queene， flees to the New England coast from Kentucky to escape her father's puritanism and to pursue a more exalted life. She gets whaling out of her system early: going to sea at 16 disguised as a boy， Una has her ship sunk by her own monstrous whale， and survives a harrowing shipwreck: I was so horrified by the whale's deliberate charge that I could not move. Then my own name flew up from below like a spear: "Una!" Giles' voice broke my trance， and I scrambled down the rigging. No sooner did my foot touch the deck than there was such a lurch that I fell to my face. I heard and felt the boards break below the waterline， the copper sheathing nothing but decorative foil. The whole ship shuddered. A death throe. The ship dies， but Una returns to land to pursue the life of the mind. The novel's opening line--"Captain Ahab was neither my first husband nor my last"--also diminishes Melville's hero in the broader scheme of things. Naslund exposes the reader to the unsung， real-life heroes of Melville's world， including Margaret Fuller and her Boston salon， and Nantucket astronomer Maria Mitchell. There is a chance meeting with a veiled Nathaniel Hawthorne in the woods， and throughout the novel the story brims with references to the giants of literature: Shakespeare， Goethe， Coleridge， Keats， and Wordsworth. Although her novel runs long at nearly 700 pages， Naslund has created an imaginative， entertaining， and very impressive work. --Ted Leventhal --This text refers to an out of print or unavailable edition of this title. From Publishers Weekly "Captain Ahab was neither my first husband nor my last，" says Una Spenser， the eponymous narrator， in the first sentence of this deliciously old-fashioned bildungsroman， adventure story and romance. Naslund's inspiration， based on one reference in Moby-Dick， may not satisfy aficonados of Melville's dense， richly symbolic masterpiece， but it should please most other readers with its suspenseful， affecting， historically accurate and seductive narrative. At age 12， Una escapes her religiously obsessed father in rural Kentucky to live with relatives in a lighthouse off New Bedford， Mass. When she is 16Adisguised as a boyAshe runs off to sea aboard a whaler， which sinks after being rammed by its quarry. Una and two young men who love her are the only survivors of a group set adrift in an open boat， but the dark secret of their cannibalism will leave its mark. Rescued， Una is wed to one of the young men by the captain of the Pequod， handsome， commanding Ahab， who has not as yet met the white whale that will be his destiny. These eventsArecounted in stately prose nicely dotted with literary allusionsAtake the reader only through the first quarter of the book. Una's later marriage to AhabAa passionate and intellectually satisfying relationshipAthe loss of her mother and her newborn son in one night， and her life as a rich woman in Nantucket are further developments in a plot teeming with arresting events and provocative ideas. Una is an enchanting protagonist: intellectually curious， sensitive， imaginative and kind. But Naslund also endows her with restlessness， rash impetuosity and a refreshing skepticism about traditional religion， qualities that humanize what verges on an idealized personality， and that motivate Una's search for spiritual sustenance. Unitarianism and Universalism are two of the religions she investigates; other "dark issues of our time" include slavery， and the position of women. Social and cultural details texture the lengthy， episodic， discursive narrative. Una's search for identity brings her friendship with such real life figures as writer Margaret Fuller and astronomer Maria Mitchell， and with such colorful fictional characters as an escaped slave and a dwarf bounty hunter. Even Halley's Comet makes an appearance. Provocatively， Naslund (The Disobedience of Water) suggests a new source of Ahab's demented rage to kill the whale who has "unmasted" him. Some elements of the novel jar， especially Naslund's tendency to pay rhapsodic tributes to Una's questing spirit; a surfeit of noble， large-souled and amazingly generous characters; and the symmetrical neatness of the plot. In the last third of the book， readers may become weary of Una's spiritual reflections and the minutiae of her daily routine. But these are small faults in a splendid novel that amply fulfills its ambitious purpose offering a sweeping， yet intimate picture of a remarkable woman who both typifies and transcends her times. Illustrations by Christopher Wormell. 150，000 first printing; $150，000 ad/promo; 20-city author tour; BOMC main selection; Simon & Schuster audio. (Oct.) Copyright 1999 Reed Business Information， Inc. --This text refers to an out of print or unavailable edition of this title. See all Editorial Reviews