Amazon.com What happens when the glitzy world of moviemaking Bombay meets the gritty conventions of film noir? With luck, something like this dazzlingly ambitious novel from Canadian journalist Leslie Forbes. "I haven't seen the eunuch in almost four weeks. Ignore what I wrote you before. No need to come here and rescue me," Miranda Sharma writes her sister from Bombay, in a disconcertingly "schizophrenic" postcard that sends Rosalind Bengal across continents and deep into a world where nothing is what it seems. Part Scottish, part Indian, Roz is a crime journalist who can't help following a good lead when it appears, especially when her sister's welfare is at stake. Miranda recently married one of the Indian film industry's most prominent directors, Prosper Sharma, a man who's spent 20 years working on a movie version of The Tempest and who is rumored to have murdered his first wife. After her postcard, four hijra--eunuchs or transvestites--are found drowned in an eight week period, one of them with alleged connections to the film industry. Coincidence or not, Roz feels compelled to investigate. What follows is a most unusual thriller, and not just by virtue of its setting. Crackling with wordplay and allusion, and set against a city that resembles nothing so much as a stage set under construction, the hyper-literate Bombay Ice sports influences ranging from Shakespeare to Sunset Boulevard, chaos theory to Raymond Chandler. In between meditations on alchemy, entropy, and the science of weather, Forbes constructs an intricate story charged with all the tension of the coming monsoon. The result is never less than interesting, even when, as occasionally happens, the book's intellectual concerns threaten to overpower its plot. From Publishers Weekly Fans of An Instance of the Fingerpost will find Forbes's debut novel an equally intricate literary thriller suffused with exotic atmosphere. The distinctive element here is not historical but cultural and climatic: the imminent arrival of the monsoon in Bombay, India, is juxtaposed with the escalating tension as protagonist Roz Bengal (aka Rosalind Benegal), a London-based radio producer and filmer of crime videos for TV, races to find a murderer before she and her sister Miranda suffer the consequences. Born in India and named by her pedant father after Shakespeare's heroine (one of many such allusions to the Bard), Roz has returned after a long absence, summoned by a cryptic note from a pregnant Miranda hinting that her husband, famed film producer Prosper Sharma, murdered his first wife, an aging movie star who was proving an impediment to his movie of The Tempest. The death of several hijras (eunuchs who are transvestites) is the first clue to Roz that her brother-in-law is connected to the criminal underworld, to corrupt government officials and to a disreputable forger of coins and antiques. As her investigation proceeds, Roz has opportunities to discourse about the science of weather prediction, the chemical properties of poison, the art of gilding and the technique of lost wax casting, among other esoteric subjects. With her swimmer's shoulders, grunge haircut and insouciant attitude, Roz is a quixotic heroine: reckless and full of bluff and bravado, she is also a two-fisted and indiscriminate drinker and a woman who allows herself to be abused during sex. The reasons for her self-destructive behavior do not become completely clear until the end of the novel, but meanwhile there is plenty of violence and gore (including ritual torture and a bucket of blood), plus betrayals, chases, a striking cobra and lots of red herrings. The drawback to the digression-prone narrative is a loss of tension: the threat of murder almost becomes secondary to the flow of information on the seamy side of the "Bollywood" film industry, the quotidian reality of high-level corruption in government and the wretched lives of India's masses. Yet it's this bombardment of rich detail that makes the story interesting, augmented by Forbes's striking imagery and a progression of colorful and eccentric characters. Major ad/promo; rights sold in Holland, Germany, Italy and Sweden; audio rights to Soundelux Audio. (July) FYI: A Canadian who attended London's Royal College of Art, Forbes is a travel and food writer (A Table in Tuscany) and produces shows for BBC's Radio 4.Copyright 1998 Reed Business Information, Inc. See all Editorial Reviews
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这本小说的叙事节奏像是在热浪中缓缓融化的冰块,初看之下,似乎有些松散,但随着故事的推进,那种渗透进骨髓的冷意和复杂性才逐渐显现出来。作者对环境的描摹达到了近乎令人窒息的程度,你几乎能闻到那种夹杂着香料、尘土和潮湿海风的孟买气息。人物的内心世界被刻画得极其细腻,每一个选择,每一次犹豫,都像是被放大镜仔细审视过,充满了人性的灰色地带。我特别欣赏作者处理冲突的方式,它不是那种戏剧性的爆发,而是像暗流一样在平静的表象下涌动,最终以一种近乎宿命的姿态收场。故事中的一些隐喻手法非常高明,尤其是在处理社会阶层和个人身份认同的章节,读完后需要回味很久才能完全领会其中的深意。整本书读下来,与其说是在看一个故事,不如说是在经历一次深刻的文化浸润,它挑战了我们对“异域”的刻板印象,展现了生活在那种特定地理和社会结构下的个体是如何艰难求存并试图定义自我的。书中的对话真实得让人不安,那些未说出口的话语,往往比直接的陈述更有力量,留给读者的解读空间极大。
评分从文学技法的角度来看,这本书的结构处理无疑是大胆且成功的。它采用了多重叙事视角,像是一块被打碎后又精心拼凑起来的马赛克,每个碎片都提供了观察核心事件的不同切面。这种碎片化的叙事并没有造成阅读上的障碍,反而增强了悬疑感和对真相的探求欲。作者对于时间线的操控炉火纯青,时而闪回,时而跳跃,迫使读者必须积极参与到故事的构建过程中去。我特别留意到作者在描述感官体验时所使用的词汇——它们极其精准,既不矫揉造作,又充满了张力。举例来说,对于光影的捕捉,那种热带特有的强烈对比,被描述得栩栩如生,仿佛书页本身都在微微发烫或反着湿冷的光。这本书的魅力在于它拒绝提供简单的答案或道德评判,它呈现的是一种无可辩驳的、复杂的人类困境。读到一半时,我甚至产生了放下书本,独自去某个地方静思片刻的冲动,可见其对心境的牵引力之大。这本书显然是写给那些不满足于平面叙事、渴望深度挖掘的读者的。
评分这是一部需要慢饮的佳酿,需要读者放下浮躁的心态才能品出其醇厚。作者构建的世界观充满了迷人的矛盾性,表面上是繁华喧嚣的都市背景,内里却是结构性的压抑和无声的抗争。我特别赞赏作者在处理配角上的手法,即便是篇幅不大的角色,也拥有令人信服的生命力,他们的存在为主要情节增添了令人信服的社会纵深感。故事的张力并非来自外部的冲突,而是源于角色们在巨大社会期望和个人真实欲望之间的拉锯战。这本书的节奏控制得如同老练的指挥家,时而低沉压抑,时而骤然拔高,但总是在关键时刻收住,为下一波情感冲击积蓄力量。阅读过程中,我一直在思考‘真实’的含义,书中的人物似乎都在扮演着某种角色,而我们自己是否也是如此?这种哲学层面的探讨,使得这本书的价值远远超越了一般的娱乐读物,它提供了一种独特的、关于存在的深刻反思。
评分这本书的语言风格极为冷峻、克制,带着一种独特的、近乎诗意的疏离感。与许多追求快速情节推进的小说不同,它似乎更热衷于探索人物内心世界的细微震颤。那些关于记忆、遗失与重构的主题贯穿始终,每一次回忆的浮现都像是在本已脆弱的叙事表面上划开新的伤口。我发现自己不断地停下来,重读某些句子,仅仅是为了欣赏作者如何用最简洁的词语搭建起最宏大或最私密的场景。它探讨的悲剧性是内在的,是角色们对自己身份的永恒追问与和解的无望。你很难找到一个可以完全归类的“英雄”或“恶人”,每个人都在自己的生存逻辑下做出最符合当下的选择,这种对人性的复杂性的拥抱,是这本书最打动我的地方。它迫使读者去审视自己对道德边界的认知,并最终承认,在某些极端的生活情境下,所有的人都可能成为自己故事里的“反派”。
评分老实说,这本书的阅读体验更像是一场马拉松而不是短跑。它需要的不仅仅是时间,更需要一种沉浸式的专注力。初读时,我感觉自己被卷入了一个巨大而又密不透风的社会肌理之中,那种被环境力量裹挟、无法挣脱的无力感,让我深有体会。角色之间的关系网错综复杂,充满了爱慕、背叛、依赖和疏离,但这些情感的表达都非常内敛,常常需要通过角色的微小动作或眼神交流来体会,这使得阅读过程充满了发现的乐趣。我惊喜地发现,作者对社会阶层固化的描写达到了社会学报告般的精准度,但又巧妙地用情感的张力将其包裹起来,避免了枯燥的说教。关于‘家’这个概念的探讨,在这本书里被颠覆了,它不再是温暖的港湾,而更像是一个充满陷阱和秘密的容器。读完后,我花了好几天时间才真正从那种情绪氛围中抽离出来,它的后劲非常大,一直在脑海中回响着某些场景和对话的片段。
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