This volume showcases 116 masterpieces arranged into the four major themes that characterize Giorgio Morandi’s work: self portraits, still lifes, landscapes, and flowers. The collection represents all the various expressive techniques used by Morandi over the years, including paint, etching, drawing and watercolor.The volume is the catalog of an outstanding exhibition organized by the Metropolitan Museum in New York and by the Museo d’Arte Moderna in Bologna. The exhibition will be open in New York from September 16 to December 14, 2008 and in Bologna from January 22 to April 12, 2009.The exhibition and the catalog also contain a number of photographs of Morandi’s studio and quotes from his admirers, as well as the memorable 1958 interview with Edouard Roditi.
Maria Cristina Bandera is Director of the Fondazione di Studi di Storia dell’Arte Roberto Longhi a Firenze. Renato Miracco is the Director of the Italian Cultural Institute in New York. Janet Abramowicz was a Senior Lecturer for twenty years in the Department of Fine Arts at Harvard University. Flavio Fergonzi is a Professor of Contemporary Art History at the University of Udine. Maria Mimita Lamberti is a Professor of Contemporary Art History at the University of Torino. Neville Rowley is currently doing a PhD at the Sorbonne, where he taught for three years. Lorenza Selleri is Curator at the Museo Morandi, Bologna.
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本书的副标题就是莫兰迪的那句名言,“没啥比现实更抽象的了”。书的纸张很好,大幅的图片可以呈现近似原著的质感和笔触。写文章的,都是了解莫兰迪的行家。重要的是,淘宝上可以买到。有银子的同学可以考虑自己收藏一本,闲时仔细瞧瞧。.
评分莫兰迪选择极其有限而简单的生活用具,以杯子、盘子、瓶子、盒子、罐子以及普通的生活场景作为自己的创作对象。把瓶子置入极其单纯的素描之中,以单纯、简洁的方式营造最和谐的气氛。平中见奇,以小见大。通过捕捉那些简单事物的精髓,捕捉那些熟悉的风景,使自己的作品流溢出一种单纯高雅、清新美妙、令人感到亲近的真诚。在立体派和印象派之间,他以形和色的巧妙妥协,找到了自己独特的画风。
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评分最爱之一
评分莫兰迪选择极其有限而简单的生活用具,以杯子、盘子、瓶子、盒子、罐子以及普通的生活场景作为自己的创作对象。把瓶子置入极其单纯的素描之中,以单纯、简洁的方式营造最和谐的气氛。平中见奇,以小见大。通过捕捉那些简单事物的精髓,捕捉那些熟悉的风景,使自己的作品流溢出一种单纯高雅、清新美妙、令人感到亲近的真诚。在立体派和印象派之间,他以形和色的巧妙妥协,找到了自己独特的画风。
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