East Asian Cinemas

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Leon Hunt is a Senior Lecturer in Film and TV Studies, Brunel University. His books include 'Kung Fu Cult Masters: From Bruce Lee to Crouching Tiger'. Leung Wing-Fai is Learning Development Officer (Film) at the National Museum of Photography, Film & Television, Bradford. Her 'Lost in Translation' column appears on the Hong Kong Express website.

出版者:I. B. Tauris
作者:Leon Hunt
出品人:
頁數:272
译者:
出版時間:2008-05-15
價格:USD 31.00
裝幀:Paperback
isbn號碼:9781845116156
叢書系列:Tauris World Cinema Series
圖書標籤:
  • 電影 
  • 香港 
  • 跨國電影 
  • 英文 
  • 藝術 
  • 理論 
  • 文化 
  • 外文 
  •  
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Cinemas from East Asia are among the most exciting and influential in the world. They are attracting popular and critical attention on a global scale, with films from the region circulating as art house, cult, blockbuster and 'extreme' cinema, or as Hollywood remakes. This book explores developments in the global popularity of East Asian cinema, from Chinese martial arts, through Japanese horror, to the burgeoning new Korean cinema, with particular emphasis on crossovers, remakes, hybrids and co-productions. It examines changing cinematic traditions in Asia alongside the 'Asianisation' of western cinema. It explores the dialogue not only between 'East' and 'West', but between different cinemas in the Asia Pacific. What do these trends mean for global cinema? How are co-productions and crossover films changing the nature of Hollywood and East Asian cinemas? The book includes in-depth studies of Park Chan-wook, 'Infernal Affairs', 'Seven Samurai', and 'Princess Mononoke'.

具體描述

讀後感

評分

因为市场低迷, 投资者一般喜欢safe projects, which by definition is characterized by a star cast, easily discernible genres, confidence in the filmmakers and export potential. Two types of production have polarized: 1. big budget films/productions. 2. very ...  

評分

因为市场低迷, 投资者一般喜欢safe projects, which by definition is characterized by a star cast, easily discernible genres, confidence in the filmmakers and export potential. Two types of production have polarized: 1. big budget films/productions. 2. very ...  

評分

Hong Kong Cinema 1980-95 是高潮 The 1980s were the commercial peak of HK Cinema. From 1988 to 1996, an average of 153 films were made each year. Through the 1980s to the mid-1990s, HK films dominated the local box office. In 1992, for instance, all top ten...

評分

Hong Kong Cinema 1980-95 是高潮 The 1980s were the commercial peak of HK Cinema. From 1988 to 1996, an average of 153 films were made each year. Through the 1980s to the mid-1990s, HK films dominated the local box office. In 1992, for instance, all top ten...

評分

因为市场低迷, 投资者一般喜欢safe projects, which by definition is characterized by a star cast, easily discernible genres, confidence in the filmmakers and export potential. Two types of production have polarized: 1. big budget films/productions. 2. very ...  

用戶評價

评分

整體和個案分析。#reference

评分

關於transnational connections的文章選得很不錯~Range很廣從industry到text都有,從早期到發展到當代,從大趨勢到個例分析,而且有一些難得一見的topics,尤其喜歡對《東京教父》和transnational film noir的討論。

评分

整體和個案分析。#reference

评分

關於transnational connections的文章選得很不錯~Range很廣從industry到text都有,從早期到發展到當代,從大趨勢到個例分析,而且有一些難得一見的topics,尤其喜歡對《東京教父》和transnational film noir的討論。

评分

關於transnational connections的文章選得很不錯~Range很廣從industry到text都有,從早期到發展到當代,從大趨勢到個例分析,而且有一些難得一見的topics,尤其喜歡對《東京教父》和transnational film noir的討論。

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