Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen's Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory--including Rudolf Arnheim, Siegfried Kracauer, and Andre Bazin--and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into eight sections--each comprising the major fields of critical controversy and analysis--this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. The seventh edition also integrates exciting new material on feminist theory, queer cinema, and global cinema, as well as a new section, "Digitization and Globalization," which engages important recent developments in technology and world cinema. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in film theory. It is also ideal for graduate courses in film theory and criticism. ABOUT THE EDITORS Leo Braudy is University Professor and Bing Professor of English at the University of Southern California. Among other books, he is author of Native Informant: Essays on Film, Fiction, and Popular Culture (OUP, 1991), The Frenzy of Renown: Fame and Its History (OUP, 1986), and most recently, From Chivalry to Terrorism: War and the Changing Nature of Masculinity (2003). Marshall Cohen is University Professor Emeritus and Dean Emeritus of the College of Letters, Arts, and Sciences at the University of Southern California. He is coeditor, with Roger Copeland, of What Is Dance? Readings in Theory and Criticism (OUP, 1983) and founding editor of Philosophy and Public Affairs.
具体描述
读后感
评分
评分
评分
评分
用户评价
读了一部分
评分Film Studies标准教科书～ （貌似还没有中文版，好想翻译哟！
评分两个学期＋准备考试的大半个暑假过去了，这本大部分好好读过，整个也翻过了，就来标一下吧～里面的各位，我一定会好好记住你们的名字和论点，将来装逼就靠你们了嘿嘿嘿！
评分Film Studies标准教科书～ （貌似还没有中文版，好想翻译哟！
评分呼~~快900页的大部头读了四个月终于读完了。几乎是电影研究的百科全书，却没有百科全书那种词条间的重复和孤立。不同历史时段不同理论间的互相质疑和回应十分清楚，作为谱系学来读更加有趣——原来巴赞这么康德，原来Metz这么教条，原来《手册》曾经如此激进。总之，电影研究这事儿在其起源之时曾站在人文学科的对立面去批判后者，现在电影研究却成为学科之一，强化服务于新殖民主义的文化政治学——“Let us go back to the spirit of true radicalism that once made film studies such an exciting space for critical thinking.”笔记慢慢补。
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有