Alexander Sergeyevich Pushkin was born in Moscow in 1799. After traveling through the Caucasus and the Crimea, he was sent to Bessarabia, where he wrote The Captive of the Caucasus and The Fountain at Bakhchisaray, and began Eugene Onegin. His work took an increasingly serious turn during the last year of his southern exile, in Odessa. In 1824 he was transferred in north-west Russia, where he wrote his historical drama Boris Godunov, continued Eugene Onegin and finished The Gipsies. He was mortally wounded and died in January 1837.
Stanley Mitchell was born in 1932 in London. He read Modern Languages (French, German and Russian) at Oxford. He taught at various universities - Birmingham, Essex, Sussex, San Diego California, McGill, Montreal, Dar es Salaam Tanzania, Derby, University College London and Camberwell School of Art. Subjects included Russian literature and art, comparative literature, art history and cultural studies. He is currently Emeritus Professor of Aesthetics at the University of Derby and Honorary Senior Research Fellow in the Department of Art History at University College, London. He has translated Georg Lukacs and Walter Benjamin, written a variety of articles and reviews, and given numerous lectures and talks.
Tired of the glitter and glamour of St Petersburg society, aristocratic dandy Eugene Onegin retreats to the country estate he has recently inherited. With the arrival of the idealistic young poet Vladimir Lensky he begins an unlikely friendship, as the poet welcomes this urbane addition to his small social circle - and is happy to introduce Onegin to his fiancée, Olga, and her family. But when Olga's sister Tatiana becomes infatuated with Onegin, his cold rejection of her love brings about a tragedy that engulfs them all. Unfolding with dreamlike inevitability and dazzling energy, Pushkin's tragic poem is one of the great works of Russian literature.
In this new translation, Stanley Mitchell captures the cadences and lightness of the original poem, and discusses in his introduction Pushkin's life, writings and politics, as well as previous translations of the work. This edition also contains a chronology and suggested further reading.
在重庆磁器口旧书店淘到的旧书。1982年上海译文出版社,冯春译。扉页还有它第一任主人的签名和购书年月——“谢勤 1982.12”。读的过程中发现了里面夹着糖纸“鲜花奶糖”和一张便签。这种穿越时光的相遇,有着难以为旁人所感受的奇妙呀。 决定把便签上的内容分享给大家(其实只...
评分作者:杨建民 对特别喜爱的文艺作品,有时也存一两个版本,可书架上,俄罗斯诗人普希金的《叶夫盖尼•奥涅金》竟存有六个译本。这内中的珍爱之心,连自己也有些惊异了。 最早是在下农村时,不知在何处寻得一部《普希金文集》(罗果夫主编,戈宝权负责编辑)。此文集...
评分读完陀思妥耶夫斯基关于普希金的随笔,他尤其提到《叶甫盖尼·奥涅金》。在谈到主人公的时候,陀思妥耶夫斯基从人性的角度分析了这个19世纪的青年“多余人”。尤其说到女主人公是俄罗斯民族文学中现实主义出现的第一个正面的成功的女性形象。这本书是普希金的第一本现实主...
评分 评分奥涅金,这个艺术形象出自普希金笔下的诗体小说《叶甫盖尼•奥涅金》。他以独特鲜活的性格,成为首个“多余人”的典型。 提及“多余人”,还得谈到赫尔芩的《往事与随想》[1]。文中将“多余人”概括为“一种古怪的人”,亦或懒散的旁观者。 而奥涅金这位“多余人”形象,...
“Habit is heaven's gift to us: A substitute for happiness.”
评分这个译本感觉too rigid in style
评分就用作者自己的话来说吧 "I like this word exceedingly, Although it will not bear translation". 确实The essence of verses is distorted in the translatio
评分就用作者自己的话来说吧 "I like this word exceedingly, Although it will not bear translation". 确实The essence of verses is distorted in the translatio
评分就用作者自己的话来说吧 "I like this word exceedingly, Although it will not bear translation". 确实The essence of verses is distorted in the translatio
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