Alexander Sergeyevich Pushkin was born in Moscow in 1799. After traveling through the Caucasus and the Crimea, he was sent to Bessarabia, where he wrote The Captive of the Caucasus and The Fountain at Bakhchisaray, and began Eugene Onegin. His work took an increasingly serious turn during the last year of his southern exile, in Odessa. In 1824 he was transferred in north-west Russia, where he wrote his historical drama Boris Godunov, continued Eugene Onegin and finished The Gipsies. He was mortally wounded and died in January 1837.
Stanley Mitchell was born in 1932 in London. He read Modern Languages (French, German and Russian) at Oxford. He taught at various universities - Birmingham, Essex, Sussex, San Diego California, McGill, Montreal, Dar es Salaam Tanzania, Derby, University College London and Camberwell School of Art. Subjects included Russian literature and art, comparative literature, art history and cultural studies. He is currently Emeritus Professor of Aesthetics at the University of Derby and Honorary Senior Research Fellow in the Department of Art History at University College, London. He has translated Georg Lukacs and Walter Benjamin, written a variety of articles and reviews, and given numerous lectures and talks.
Tired of the glitter and glamour of St Petersburg society, aristocratic dandy Eugene Onegin retreats to the country estate he has recently inherited. With the arrival of the idealistic young poet Vladimir Lensky he begins an unlikely friendship, as the poet welcomes this urbane addition to his small social circle - and is happy to introduce Onegin to his fiancée, Olga, and her family. But when Olga's sister Tatiana becomes infatuated with Onegin, his cold rejection of her love brings about a tragedy that engulfs them all. Unfolding with dreamlike inevitability and dazzling energy, Pushkin's tragic poem is one of the great works of Russian literature.
In this new translation, Stanley Mitchell captures the cadences and lightness of the original poem, and discusses in his introduction Pushkin's life, writings and politics, as well as previous translations of the work. This edition also contains a chronology and suggested further reading.
奥涅金作为一个贵族浪荡子、虚无主义者的典型,当然有他们最突出的两个特点,一是对什么都感兴趣,也对什么都不感兴趣。二是缺乏行动力。 奥涅金爱好广泛,博览群书,游历也很广泛,能接触上流社会也能到乡下生活,可以说奥涅金充满了求知欲和探索欲,但是求知完了探索尽了他...
評分网络共享译本:http://blog.sina.com.cn/u/3020582503 普希金《叶甫盖尼·奥涅金》译序 九霄环珮 普希金是俄罗斯诗歌的“太阳”,他短短的一生作品是相当丰富的,其中《叶甫盖尼·奥涅金》无论在篇幅上、内容上、艺术性和思想性上都堪称普希金的代表作。往浅里说,这部书包...
評分 評分《欧根•奥涅金》是被翻译得最多的文本之一,查良铮、冯春、王士燮、剑平、刘宗次、智量都译过,而吕荧——这个“唯一敢为胡风申辩的人”——的译本也以它的平易赢得了我的心。虽然不少语句比起智量来略显土鳖,而且一些旧译专名今天读来已经很不习惯,如P4鲁斯兰和柳德米拉...
評分俄文学选修课上老师讲到这部作品,之前已经看了一遍。因为是译文所以在语言方面减色不少,原文毕竟是诗歌,但如果要是读原文的话所需的时间也就不是一星期了,而且自己对于俄语的领悟确实也无可恭维。 这部小说比较吸引我的是作品中流露出的俄罗斯优雅与浪漫的气质。决斗,如...
“Habit is heaven's gift to us: A substitute for happiness.”
评分就用作者自己的話來說吧 "I like this word exceedingly, Although it will not bear translation". 確實The essence of verses is distorted in the translatio
评分在學校圖書館摸瞭一本打發時間,右手書左手2048。簡直是愉快的養老生活。
评分這個譯本感覺too rigid in style
评分就用作者自己的話來說吧 "I like this word exceedingly, Although it will not bear translation". 確實The essence of verses is distorted in the translatio
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