The Ugly Duckling is a comedy play by A. A. Milne, written c.1941 which has nothing to do with the Hans Christian Andersen story. In the play, a King and a Queen have a hard time marrying their daughter, an ugly princess. "Her beauty is certainly elusive, Your Majesty!" "Yes, it has eluded you, it has eluded me, it has eluded everyone who has met her." They devise a scheme to marry her to a prince from a far away land. To every suitor they ask a ridiculously easy question, in the hopes they will marry the UGLY princess. But the princess is so ugly that all the princes guess wrong. So, to meet the next suitor, the Princess Camilla disguises herself as her maid Dulcibella, while Dulcibella pretends to be Princess Camilla.
However, Prince Simon has also disguised himself as his servant Carlo, and dressed Carlo up as the prince because he felt he wasn't handsome enough. Both the pretend prince and princess are insanely dull witted, which just adds to the entertainment. Before the marriage of the two servants dressed as royalty, the real prince meets the real princess and they reveal their identity and begin to understand each other.
Prince Simon tells Princess Camilla that she is very beautiful, although all other princes have found her to be hideously ugly. Then the princess reveals that she was given a gift from her great aunt that would make everyone ignorant of her real beauty, so that she wouldn't grow up vain - until the day she met her one true love. The play ends with the riddle being answered incorrectly, despite the fact that Carlo, the mock-prince, was given the correct answer beforehand. The answer clearly should have been "cat," but Carlo's answer was dog. Yet with some quick thinking from Prince Simon, Carlo gets the answer right because Simon claims that what is referred to in this country as "cat" is referred to as "dog" in the mock-prince's country. Because of this, it is seen fit that the two should be married.
At the very end, the king wonders why Princess Camilla is suddenly beautiful when the audience can see that it is because of the blessing/curse coming to fruition -- Camilla has found her true love, the first one to whom she appears lovely.
The Characters are The Prince, The Princess, The King, Dulcibella, The Queen, Carlo and The Chancellor.
A. A. Milne was born in Kilburn, London, England to parents John Vine Milne and Sarah Maria (née Heginbotham) and grew up at Henley House School, 6/7 Mortimer Road (now Crescent), Kilburn, London, a small independent school run by his father.[1] One of his teachers was H. G. Wells who taught there in 1889–90.[2] Milne attended Westminster School and Trinity College, Cambridge,[3] where he studied on a mathematics scholarship. While there, he edited and wrote for Granta, a student magazine.[1] He collaborated with his brother Kenneth and their articles appeared over the initials AKM. Milne's work came to the attention of the leading British humour magazine Punch, where Milne was to become a contributor and later an assistant editor.
Milne joined the British Army in World War I and served as an officer in the Royal Warwickshire Regiment and later, after a debilitating illness, the Royal Corps of Signals. After the war, he wrote a denunciation of war titled Peace with Honour (1934), which he retracted somewhat with 1940's War with Honour.[1][4] During World War II, Milne was one of the most prominent critics of English humour writer P. G. Wodehouse, who was captured at his country home in France by the Nazis and imprisoned for a year. Wodehouse made radio broadcasts about his internment, which were broadcast from Berlin. Although the lighthearted broadcasts made fun of the Germans, Milne accused Wodehouse of committing an act of near treason by cooperating with his country's enemy. Wodehouse got some revenge on his former friend by creating fatuous parodies of the Christopher Robin poems in some of his later stories, and claiming that Milne "was probably jealous of all other writers.... But I loved his stuff."[5]
He married Dorothy "Daphne" de Sélincourt in 1913, and their only son, Christopher Robin Milne, was born in 1920. In 1925, A. A. Milne bought a country home, Cotchford Farm, in Hartfield, East Sussex.[6] During World War II, A. A. Milne was Captain of the Home Guard in Hartfield & Forest Row, insisting on being plain 'Mr. Milne' to the members of his platoon. He retired to the farm after a stroke and brain surgery in 1952 left him an invalid and by August 1953 "he seemed very old and disenchanted".[7] Cotchford Farm was where the Rolling Stones' lead guitarist Brian Jones would later live and be found drowned in 1969.
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说实话,这本书的语言风格初看之下有些晦涩,但一旦适应了那种独特的韵律和选词,就会发现它蕴含着一种古典而又现代的张力。作者似乎对词汇的运用有着近乎偏执的追求,每一个形容词的选择都经过了千锤百炼,绝无冗余。它的句子结构往往很长,充满着复杂的从句和精妙的排比,读起来有一种在品尝陈年佳酿的感觉——需要慢下来,细细咀嚼才能体会到其中复杂的回味。我特别喜欢作者在描述环境氛围时所展现出的那种“画面感”,与其说是文字,不如说是油画的笔触,色彩浓郁,层次分明。比如书中对一座古老图书馆的描绘,那种弥漫在空气中的灰尘味道、书页发黄的触感,都通过文字精准地“翻译”到了我的感官系统里。尽管这种文学性可能会让一些追求简洁明快的读者望而却步,但对于我这种沉溺于文字美感的人来说,这本书简直是宝藏,它证明了好的写作可以将语言提升到艺术的境界。
评分这部作品的结构设计简直是鬼斧神工,环环相扣,精妙绝伦,让人在阅读过程中不断产生“原来如此”的惊叹。它没有采用传统线性叙事,而是巧妙地运用了多重时间线和视角切换,像一个技艺高超的织工,将看似松散的线索编织成一张精密无暇的巨网。每当我以为自己已经把握了故事的走向时,作者总能适时抛出一个意想不到的转折,那种被颠覆认知的快感,简直让人欲罢不能。特别是书中几处关键的“信息延迟”处理得极为高明,读者和角色往往在同一时间获得关键信息,但由于前文铺垫的足够扎实,那一刻的冲击力被最大化了。这本书要求读者保持高度的专注力,因为它拒绝提供廉价的解释,而是鼓励读者自己去拼凑、去推理。我花了很长时间去回味那些看似不经意的对话和场景描写,现在看来,它们都是通往最终真相不可或缺的基石。这不只是一本书,更像是一场智力上的探戈,舞步优雅而复杂,让人在迷失与清晰之间反复拉扯,享受这种被挑战的感觉。
评分这本书的配乐——哦,抱歉,我的意思是,这本书中“声音”的运用简直达到了交响乐的级别。作者对于寂静的描绘,比任何喧嚣都更能震撼人心。寂静不再是空无一物的背景,而是承载着人物未说出口的恐惧、秘密或期待的实体。比如,某次至关重要的会面,全程几乎没有对话,只有桌面上笔尖的摩擦声、远处钟摆的滴答声,以及角色细微的呼吸调整,这些都被放大到了令人窒息的程度。通过对环境声响的精雕细琢,作者成功地构建了一个无比真实且充满张力的世界。我仿佛能听到自己心脏在紧张时的砰砰声,与书中的角色同步呼吸。这种对听觉细节的极致捕捉,不仅增强了故事的真实感,更深刻地揭示了人物的内心状态——很多时候,最真实的情感恰恰是通过那些微小的、被忽略的声音泄露出来的。这本书证明了,一个好的故事不仅可以用眼睛阅读,更可以用“耳朵”去聆听。
评分我必须强调这本书在主题深度上的探讨是多么的令人不安却又无比必要。它并没有提供简单的道德判断或皆大欢喜的结局,而是勇敢地直面了存在主义层面的困境:自由意志的边界、集体认同的压迫性,以及个体在巨大社会机器面前的无力感。书中人物的行为逻辑,虽然在特定环境下可以理解,但其背后的哲学推导却让人感到不寒而栗。作者通过一种近乎冷峻的客观视角来审视这一切,避免了说教式的说服,而是通过展现“可能性”来引发读者的反思。这种对人性的深挖,远超出了普通小说的范畴,更像是一次对现代社会病态的精准手术。我读完后,坐在那里足足有半小时,脑子里嗡嗡作响,思考着自己生活中的选择是否也是被某种看不见的框架所限定。这本书成功地在读者的舒适区边缘跳舞,迫使我们走出习惯性的思维定势,这种阅读体验的价值,无法用金钱衡量。
评分天哪,我刚刚读完的那本书简直是一场感官的盛宴,让我沉浸其中,久久不能自拔。作者的文字如同涓涓细流,却蕴含着排山倒海的力量,将故事中的每一个场景都描绘得栩栩如生。我仿佛能闻到林间清晨的湿润泥土气息,感受到主人公在逆境中挣扎时的那种揪心与无助。这本书的叙事节奏把握得炉火纯青,时而舒缓,让人细细品味人物内心的波澜,时而又陡然加速,将读者推向高潮,令人屏息凝神。尤其值得称道的是,作者对人物心理的刻画达到了出神入化的地步,那些复杂、矛盾的情感纠葛,被剖析得淋漓尽致,让人在阅读时忍不住代入其中,与角色同喜同悲。这本书绝非肤浅的消遣之作,它更像是一面镜子,映照出人性深处的脆弱与坚韧。读完最后一页,我感觉自己的精神世界被拓宽了,那些曾经模糊不清的困惑,似乎也找到了某种微妙的答案。这种精神上的洗礼,是现在许多快餐式阅读作品难以给予的深度体验,强烈推荐给所有追求文学质感的读者。
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