From Publishers Weekly
Originally under contract to Viking, this searing biography of media titan Si Newhouse was canceled, claims Felsenthal Power, Privilege and the Post) in her introduction, by Penguin Putnam chief Phyllis Grann because a friend of Grann's appears on almost every page. To be sure, Felsenthal's work is filled with unflattering descriptions of the men and women found in the top circles of New York's magazine and book publishing scene. She begins, however, with a lengthy history of the media empire?Advance Communications?assembled by Newhouse's father, Sam, a self-made newspaper tycoon born on Manhattan's Lower East Side. The elder Newhouse added Conde Nast to his holdings in 1959; it was these magazines that drew the attention of the younger Newhouse, who, after Sam's death in 1979, left the running of the newspapers to his younger brother, Donald. As Felsenthal charts Newhouse's rising influence in the world of publishing, particularly through his acquisitions of Random House and the New Yorker?trophy companies, she says, meant to increase his prestige among the media elite?she denounces his business style, reporting that under Newhouse's ownership the quality of both the publishing house and the magazine declined dramatically, as did their profitability. It is Advance's newspaper and cable holdings, she contends, that prop up Newhouse's side of the business. Felsenthal misses little in documenting the many hirings and firings that have taken place under Newhouse. Publishing insiders won't learn much here (indeed, most of her financial reporting comes from the Wall Street Journal and other secondary sources), but other readers will find her narrative brimming with dishy suspense. Felsenthal leaves little doubt about what she thinks of Newhouse and his top aides: she calls Alberto Vitale "vile" and Newhouse himself "vacuous and self-indulgent," comparing him unfavorably to William Randolph Hearst and Rupert Murdoch. This undisguised contempt for her subject blunts what is otherwise an often penetrating look at the Machiavellian politics that lie just beneath the ultra-sleek facade of the Newhouse empire. Pictures not seen by PW.
Copyright 1998 Reed Business Information, Inc.
From Library Journal
The increasing conglomerate control of publishing and the media worries many critics. Felsenthal, whose most recent biography focused on the media empire of Katharine Graham (Power, Privilege and the Post, LJ 12/92), now turns her attention to S.I. Newhouse Jr. One of the richest men in America, Newhouse heads a family business that includes a string of newspapers, cable television companies, and the Conde Nast magazines. (He recently sold off Random House to the mighty German publisher Bertelsmann.) Newhouse guards his privacy closely, and this unauthorized biography struggles to reach beyond public information. While there are many details about hirings and firings at the magazines, including the recent changes at The New Yorker, there is little information is given about the impact of the Newhouse family on publishing and journalism. This second recent biography of Newhouse offers some material not found in Thomas Maier's Newhouse (LJ 10/1/94) and will appeal to readers interested in the inside scoop on the operations of the Conde Nast magazines.?Judy Solberg, George Washington Univ., Washington, DC
Copyright 1999 Reed Business Information, Inc.
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简直不敢相信作者竟然能将如此宏大的主题以如此细腻的方式呈现出来。这本书的文字功底扎实得令人敬佩,有些段落的句式结构简直可以被视为一种精妙的文学构建,每一个词语的摆放位置都像是经过了深思熟虑,以达到最大的情感共鸣效果。我感觉自己像是被一股强大的精神引力吸入了故事的核心,亲身体验了人物所经历的一切喜悦、困惑与最终的顿悟。它对于社会结构的批判性观察是尖锐而毫不留情的,没有故作高深的晦涩,而是用一种近乎残酷的坦诚揭示了权力运作的底层逻辑。阅读过程中,我常常需要停下来,不是因为情节复杂,而是因为某种措辞或某个比喻触发了我内心深处的某种共鸣,需要时间去整理思绪。这本书无疑为当代小说树立了一个新的标杆,它证明了文学的力量,在于它能够穿透表象,直抵人类经验的核心地带,引发持久的内省。
评分我必须说,这本书的结构设计简直是鬼斧神工,它采用了非线性的叙事手法,但处理得极其流畅,完全没有初学者那种为了炫技而牺牲可读性的问题。每一次时间线的跳跃和视角的转换,都像是为解开谜团增添了一块至关重要的拼图,让人欲罢不能地想要知道“接下来会怎样”以及“之前到底发生了什么”。人物的塑造立体到令人发指,他们身上的缺点和优点一样鲜明,让人无法简单地用“好人”或“坏人”来定义,完全符合我对现实世界中人性的理解。更难能可贵的是,即便是那些配角,也拥有着丰满的背景故事和清晰的动机,没有一个角色是工具性的存在。这种对细节的极致打磨,让整个故事的内在逻辑密不透风,找不到任何可以被诟病的逻辑漏洞,读完之后只剩下由衷的赞叹。
评分从技术层面来说,这本书在语言运用上的创新性值得大书特书。它打破了既有的语法规范,创造出一种既陌生又异常亲切的表达方式,这需要作者极高的语言驾驭能力,否则很容易沦为故作高深。我特别欣赏作者在处理高潮部分时,所采用的那种近乎诗意的、碎片化的描写手法,它没有直白地告知读者发生了什么,而是通过一系列强烈的意象和情感冲击,让读者自己去拼凑出那震撼人心的真相。这种“留白”的处理非常高明,它激活了读者的想象力,让每个读者都在自己的脑海中完成了最后的情感爆发。整体而言,这是一部充满野心和力量的作品,它不仅仅是在讲述一个故事,更像是在进行一场对文学边界的勇敢探索,我强烈推荐给那些厌倦了平庸叙事的老饕们。
评分这是一本挑战传统阅读习惯的作品,它要求读者拿出极大的耐心去适应其独特的语境和缓慢铺陈的氛围。开篇的几页读起来可能有些晦涩,因为它没有急于给出明确的事件开端,而是沉浸在一种强烈的感官体验中,仿佛是音乐的序曲,先奠定基调。但一旦你适应了这种节奏,就会发现其内在的韵律感是极其强大的。作者对心理活动的描摹达到了令人毛骨悚然的精准度,那种夹杂着希望、恐惧与自我欺骗的内心独白,真实得让人感到不安。这本书成功地探讨了身份认同的流变性,在快速变化的时代背景下,我们如何定义“自我”?这种哲学层面的追问,被包裹在引人入胜的叙事外衣之下,使得它既有深度,又具备极高的可读性,是一次真正的智力探险。
评分这本小说的叙事节奏把握得真是绝妙,作者似乎对人性的复杂有着深刻的洞察,将主人公的内心挣扎和外部世界的冲突编织得天衣无缝。我尤其欣赏它对环境细致入微的描摹,那种仿佛能触手可及的质感,让故事背景本身也成为了一个有血有肉的角色。情节的推进不是那种平铺直叙的流水账,而是充满了意想不到的转折,每一次阅读都像是在剥开一个又一个的洋葱,每一次揭示都带来新的冲击。角色之间的对话火花四射,既充满了机锋,又不失真挚,读起来让人忍不住去揣摩话语背后的真实意图。它成功地营造了一种悬而未决的氛围,即便是在合上书页之后,那些关于选择、关于代价的思考依然在我脑海中萦绕不去,这绝非一部可以轻易翻过就忘的作品,它需要你投入时间去消化,去回味。那种细微的情感波动,那种在宏大背景下个体命运的无力感,都被作者用极其精准的笔触捕捉了下来,使得整个阅读体验充满了张力和深度。
评分Newhouse的人發家發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發家發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發家發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發家發得真不好看,也難怪這麼喜歡Anna Wintour
评分Newhouse的人發家發得真不好看,也難怪這麼喜歡Anna Wintour
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