A Scientific Autobiography pdf epub mobi txt 電子書 下載2025
- 建築
- Rossi
- 建築理論
- 羅西
- AldoRossi
- Aldo_Rossi
- architecture
- architecture+history
This revealing memoir by Aldo Rossi (1937--1997), one of the most visible and controversial figures ever on the international architecture scene, intermingles discussions of Rossi's architectural projects--including the major literary and artistic influences on his work--with his personal history. Drawn from notebooks Rossi kept beginning in 1971, these ruminations and reflections range from his obsession with theater to his concept of architecture as ritual. The book originally appeared as one of the landmark titles in the MIT Press's Oppositions Books series, but has been out of print for many years. This newly issued paperback reprint includes illustrations--photographs, evocative images, and a set of drawings of Rossi's major architectural projects prepared particularly for this publication--selected by the author himself to augment the text.
具體描述
讀後感
Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...
評分Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...
評分Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...
評分Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...
評分Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...
用戶評價
像是迴憶錄一樣的文字，有著讀本雅明的柏林童年的感覺。雖然以解釋他的項目為全書的主綫，然而這些解釋，都被一些插進來的思緒扯得亂七八糟。正如他自己所說‘love things which are broken and then reassembled"。不過，你丫也想的太多瞭吧。
评分Rossi從來都是站在更宏觀的城市尺度去看待建築的，探尋廣義的collective memory。他的建築很難用言語描述，可能深受 Loos 的影響，一直用最純粹的幾何形體。但他的思維始終是復雜跳躍的，這點在他的畫上和興趣廣泛也可以看齣來。他闡述瞭從理智與探尋重塑建築原則到無視它的過程，正如他解釋到，Not the architecture but the city of man was struck;and what was left certainly did not belong to architecture.It was rather a symbol,a sign, at times a tiresome memory.要去一下Modena的cemetery。
评分後記中說他這個就是不連續的，柏拉圖式地把他的斷斷續續的文化迴憶弄成空間形式。建築都是植根於過去，體現當地文化也體現個人經曆。可他這樣寫得沒有時間順序，有點理解難度啊。不過這也是不是可以體現某種現代建築之中的非綫性美學呢？
评分迴憶，象徵，poetic，精確
评分信息量比想象的大多瞭
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