A Scientific Autobiography pdf epub mobi txt 電子書 下載2025

Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...  

Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...  

Merely personal understandings, if not feelings, for the book. Clearly a hint of some very unique affection can be found in Rossi’s description to architecture, city, and maybe anything that functions as human artifacts. I would say what interest me most...  

Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...

Lucy. The film itself is sort of nonsense. But the sentence. "Time is the true unit of measurement." It suddenly occurred to me that "being" is really what we recognize and identify our own tracks. Finally I could understand why Rossi would say "each summer...

以前完全不知道羅西，以後也可能會忘記，但他在我關鍵的時候扶瞭我一把我會感恩一輩子。

很美，迴憶似夢。

Rossi從來都是站在更宏觀的城市尺度去看待建築的，探尋廣義的collective memory。他的建築很難用言語描述，可能深受 Loos 的影響，一直用最純粹的幾何形體。但他的思維始終是復雜跳躍的，這點在他的畫上和興趣廣泛也可以看齣來。他闡述瞭從理智與探尋重塑建築原則到無視它的過程，正如他解釋到，Not the architecture but the city of man was struck;and what was left certainly did not belong to architecture.It was rather a symbol,a sign, at times a tiresome memory.要去一下Modena的cemetery。

It’s an autobiography that how Rossi understand and enunciate himself. I saw the repetitive process and learned something that no one could tell me in real life.

讀羅西《自傳》，像是在讀普魯斯特或是帕慕剋的文字。。。。。被震到瞭。原來他的另外一麵是這麼豐富，思考瞭那麼多的建築問題。。。。多少令人感傷。“有好幾人都說我的劇場內部的光，跟Carpaccio的光有關。我不願拿來評論傢們有關這個項目的溢美之詞，但是我還是記住瞭Mazzario的話。因為他講到瞭威尼斯在變得具有紀念性之前的那個威尼斯，一個在Sansovino和Palladio的白色石頭還沒到來之前的威尼斯，Carpaccio的威尼斯。是的，我在他畫的建築那裏，那種木質建築的內部，看到瞭那種光，讓我總想起某些荷蘭繪畫的室內用光，它們總跟船，或是海的記憶有關”。。。。。