Comedy / 3m, 1f / Int. Recently revived at New York's Circle in the Square, where Seymour Hoffman and John C. Reilly alternated playing the roles of the brothers, this American classic explores alternatives that might spring from the demented terrain of the California landscape. Sons of a desert dwelling alcoholic and a suburban wanderer clash over a film script. Austin, the achiever, is working on a script he has sold to producer Sal Kimmer when Lee, a demented petty thief, drops in. He pitches his own idea for a movie to Kimmer, who then wants Austin to junk his bleak, modern love story and write Lee's trashy Western tale. "Shepard's masterwork.... It tells us a truth, as glimpsed by a 37 year old genius." - New York Post "It's clear, funny, naturalistic. It's also opaque, terrifying, surrealistic. If that sounds contradictory, you're on to one aspect of Shepard's winning genius; the ability to make you think you're watching one thing while at the same time he's presenting another." - San Francisco Chronicle
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字字珠玑，前后呼应妙得令人发指，读完又火速从头看了一遍。非常苍凉无助，又有一丝恶童式的任性和温情，梦幻又真实。老去的牙齿脱落满口是血的西部沙漠，面貌平庸却陌生无比的小小城镇，在德州的黑夜里茫然追逐的两个牛仔，被需要被希望作为根但并不无限应允的母亲，悲哀的既是憧憬也是负担的父亲，殊途同归。内心空荡荡又需要证实自身存在的两兄弟，别扭地存在着共同点和对彼此的关心，他们羡慕又恐惧着对方表面的特质和生活，两人几经角力和融合，像是西部片里那样粗狂又巧妙地斗智斗勇，轮番占据优势，但又无法享受胜利。大概这世上已经没有甜水镇了，又到处都是甜水镇的化身，无处寻觅的同时也无处可逃，沙漠或者阿拉斯加都不行。true west只在电影里，和执拗的兄弟对峙时的剪影中。那是所有剧本都无法框住和染指的，漂泊无依的梦境。
评分"It was the worst feeling being up there. In Alaska. Staring out a window. I never felt so desperate before. That's why when I saw that article on Picasso I thought...I don't recognize it at all." Shepard是那种绝无仅有的妙人，编剧演员作家多重身份融为一体。表面怎么看怎么都是传统的兄弟阋墙家庭悲剧，在他的切入点下居然非常复杂现代，台词熠熠生辉。
评分08 fall
评分说尽好莱坞商业化的真相啊。 funny and sharp.
评分The confrontation between Shepard's two personalities.
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